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  • 1
    UID:
    b3kat_BV048249711
    Format: 199 Seiten , 28 cm
    ISBN: 9781588397478
    Content: Directors' foreword --Acknowledgments --Contributors to the catalogue --Lenders to the exhibition --Reconsidering Winslow Homer : methods and meanings /Sylvia Yount --Frontier, ocean, empire : vistas of expansion in Winslow Homer's United States /Daniel Immerwahr --Plates : Civil War and Reconstruction --"The various colors and types of negroes" : Winslow Homer learns to paint race /Gwendolyn DuBois Shaw --Plates : waterside and rescue --"These works are real" : Winslow Homer and Europe /Christopher Riopelle --Plates : along the gulf stream --Crosscurrents : conflict, nature, and mortality in Winslow Homer's art /Stephanie L. Herdrich --Plates : nature and mortality --Notes --Selected bibliography --Index --Photography credits
    Content: Long celebrated as the quintessential New England regionalist, Winslow Homer (1836-1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas. In particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career, reveals the artist's lifelong fascination with struggle and conflict. The book also includes Homer's depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist's keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer's work resonates with the challenges of the present day. Exhibition: The Metropolitan Museum of Art, New York, USA (11.04.-31.07.2022) / National Gallery, London, UK (10.09.2022 - 08.01.2023)
    Note: Colophon: This catalogue is published in conjunction with "Winslow Homer: Crosscurrents", on view at The Metropolitan Museum of Art, New York, from April 11 through July 31, 2022, and at The National Gallery, London, from September 10, 2022, through January 8, 2023 , Includes bibliographical references (pages 192-194) and index
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Homer, Winslow 1836-1910 ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; Aufsatzsammlung
    Author information: Homer, Winslow 1836-1910
    Author information: Immerwahr, Daniel 1980-
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  • 2
    UID:
    b3kat_BV046627931
    Format: 255 Seiten , 31 cm
    ISBN: 9780300246698
    Content: "The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries' shared border in both directions. For U.S. artists, Mexico's monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on over 70 artists including Aaron Douglas, Marion Greenwood, Philip Guston, Isamu Noguchi, and Jackson Pollock. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945"--
    Note: "This catalogue was published on the occasion of the exhibition "Vida Americana: Mexican Muralists Remake American Art, 1925-1945" ... Whitney Museum of American Art, New York, February 17-May 17, 2020, McNay Art Museum, San Antonio, June 25-October 4, 2020" (Seite 6) , Foreword / Adam D. Weinberg -- América: Mexican muralism and art in the United States, 1925-1945 / Barbara Haskell -- Plates: Romantic nationalism and the myth of revolution -- Orozco on the coasts -- American historical epics -- Rivera and the new deal -- Art as political activism -- Siqueiros in Los Angeles and New York -- Prometheus unbound: Orozco in Pomona / Renato González Mello -- "Only a Rivera": the mural painter in the United States / Mark A. Castro -- Celluloid América: Siqueiros, Hollywood and plástica fílmica / Anna Indych-López -- Transcultural modernists as bicultural bridges: Anita Brenner, Alma Reed, and Frances Toor / Michael K. Schuessler -- Mexican/modern: early promotion of Mexican art in the United States / Dafne Cruz Porchini -- Friends, foes, or strangers: Mexican Americans and the Mexican muralists in the 1930s / Marcela Guerrero -- Picturing transracial alliances: Mexican muralists and Asian American artists / Shipu Wang -- Migration and muralism: new Negro artists and Socialist art / Gwendolyn DuBois Shaw -- Introducing the "big three" : Rivera, Orozco, and Siqueiros in the 1920s American press / James Wechsler -- The Mexican revolution as an aesthetic event: early myths and perceptions / Andrew Hemingway -- Artists in the exhibition -- Acknowledgments -- Lenders to the exhibition -- Index -- Photographic credits
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Mexiko ; USA ; Künstler ; Wandmalerei ; Kulturaustausch ; Geschichte 1925-1945 ; Orozco, José Clemente 1883-1949 ; Rivera, Diego 1886-1957 ; Siqueiros, David Alfaro 1896-1974 ; USA ; Wandmalerei ; Rezeption ; Geschichte 1925-1980 ; Orozco, José Clemente 1883-1949 ; Rivera, Diego 1886-1957 ; Siqueiros, David Alfaro 1896-1974 ; USA ; Chicanos ; Wandmalerei ; Rezeption ; Guston, Philip 1913-1980 ; Noguchi, Isamu 1904-1988 ; Pollock, Jackson 1912-1956 ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Cover
    Author information: Haskell, Barbara 1946-
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  • 3
    Image
    Image
    Washington, D.C. : National Portrait Gallery, Smithsonian Institution | Princeton ; Oxford : Princeton University Press
    UID:
    b3kat_BV044969910
    Format: IX, 181 Seiten , Illustrationen , 26 x 23 cm
    ISBN: 069118058X , 9780691180588
    Note: Published to accompany the exhibituion ... at the National Portrait Gallery, Smithsonian Institution, Washington, D.C. (May 11, 2018-March 10, 2019)
    Language: English
    RVK:
    Keywords: USA ; Silhouette ; Scherenschnitt ; Geschichte ; National Portrait Gallery ; Silhouette ; Scherenschnitt ; Sammlung ; Ausstellungskatalog
    Author information: Nemerov, Alexander 1963-
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  • 4
    UID:
    gbv_1023783711
    Format: IX, 181 Seiten , Illustrationen , 26 x 23 cm
    ISBN: 069118058X , 9780691180588
    Note: Impressum "Published to accompany the exhibition Black Out: Silhouettes Then and Now at the National Portrait Gallery, Smithsonian Institution, Washington, D.C. (May 11, 2018-March 10, 2019)."
    Language: English
    RVK:
    Keywords: National Portrait Gallery ; Sammlung ; USA ; Silhouette ; Scherenschnitt ; Bildnis ; Geschichte ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Nemerov, Alexander 1963-
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  • 5
    UID:
    b3kat_BV042296222
    Format: XIII, 210 S. , Ill.
    ISBN: 9780876332498 , 9780300208009
    Content: This publication highlights nearly 150 objects in the collection of the Philadelphia Museum of Art that were created by American artists of African descent. Introduced with an essay by the distinguished scholar Richard J. Powell, the volume includes paintings, sculpture, works on paper, decorative arts, costume and textiles, and photography by some 100 artists, from classically trained painters such as Henry Ossawa Tanner to self-taught artists such as Bill Traylor. Informative, thematic essays by the consulting curator, Gwendolyn DuBois Shaw, are followed by individual object entries as well as texts spotlighting areas of collecting strength, many of them written by members of the museum's curatorial staff. The first major publication to focus on the museum's diverse collection of works by African American artists, this volume also offers a fresh scholarly perspective on African American art from the early 19th century to the present
    Note: "Published on the occasion of the exhibition 'Represent: 200 Years of African American Art,' Philadelphia Museum of Art, January 10-April 5, 2015"--Title page verso , Includes bibliographical references (pages 203-208) and index
    Language: English
    Keywords: USA ; Schwarze ; Kunst ; Ausstellungskatalog
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  • 6
    Online Resource
    Online Resource
    Durham, NC, USA : Duke University Press
    UID:
    b3kat_BV047068517
    Format: 1 Online-Ressource (xii, 195 Seiten) , Illustrationen
    ISBN: 9780822386209
    Content: Tracing race and representation -- The "rememory" of slavery -- The lactation of John Brown -- Censorship and reception -- Final cut
    Note: Informationen wurden der Landingpage entnommen, da weder Titelblatt noch Impressum vorhanden sind (Duke University Press)
    Additional Edition: Elektronische Reproduktion von Shaw, Gwendolyn DuBois, 1968- Seeing the unspeakable Durham : Duke University Press, 2004 ISBN 978-0-8223-3361-6
    Additional Edition: ISBN 978-0-8223-3396-8
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Walker, Kara 1969-
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    gbv_824438752
    Format: XIII, 210 S. , zahlr. Ill. , 30 cm
    ISBN: 0300208006 , 9780300208009 , 9780876332498
    Content: This publication highlights nearly 150 objects in the collection of the Philadelphia Museum of Art that were created by American artists of African descent. Introduced with an essay by the distinguished scholar Richard J. Powell, the volume includes paintings, sculpture, works on paper, decorative arts, costume and textiles, and photography by some 100 artists, from classically trained painters such as Henry Ossawa Tanner to self-taught artists such as Bill Traylor. Informative, thematic essays by the consulting curator, Gwendolyn DuBois Shaw, are followed by individual object entries as well as texts spotlighting areas of collecting strength, many of them written by members of the museum's curatorial staff. The first major publication to focus on the museum's diverse collection of works by African American artists, this volume also offers a fresh scholarly perspective on African American art from the early 19th century to the present
    Content: Walking on water : embodiment, abstraction, and Black visuality / Richard J. Powell -- Catalogue -- The art of everyday life : essay / by Gwendolyn DuBois Shaw -- Outside the door : essay / by Gwendolyn DuBois Shaw -- Imagining modernity : essay / by Gwendolyn DuBois Shaw -- The conceptual turn : essay / by Gwendolyn DuBois Shaw
    Note: Includes bibliographical references (pages 203-208) and index
    Language: English
    Keywords: USA ; Schwarze ; Kunst ; Philadelphia Museum of Art ; USA ; Schwarze ; Kunst ; Geschichte ; Ausstellungskatalog ; Ausstellungskatalog
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