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  • 1
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | London [England] : Bloomsbury Publishing
    UID:
    gbv_1788672380
    Format: 1 Online-Ressource (1 online resource)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781350187474
    Series Statement: Critical perspectives in South Asian history
    Content: A Melancholic Archive: Chittaprosad and Socialist Art in Postcolonial India / Sanjukta Sunderason -- Kagmari Festival, 1957: Political Aesthetics and Subaltern Internationalism in Pakistan / Layli Uddin -- Between Neorealism and Humanism: Jago Hua Savera / Iftikhar Dadi -- Lotus Roots: Transposing a Political-Aesthetic Agenda from South Asia to Afro-Asia / Maia Ramnath -- What got "left" behind: The limits of Leftist Engagements with Art and Culture in Post-colonial Sri Lanka / Harshana Rambukwella -- The Conscience Whipper: Alamgir Kabir's Film Criticism and the Political Velocity of the Cinema in 1960s East Pakistan / Lotte Hoek -- Look Back in Angst: Akaler Sandhaney, the Indian New Wave, and the Afterlife of the IPTA Movement / Manishita Dass -- Afterword / Kamran Asdar Ali.
    Content: "This book explores aesthetic forms of the left to negotiate the political frontiers of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film and literature to illuminate interconnections across regions and countries, and discuss the shifting political contours of the region during the latter half of the 20th century. With a clear focus and conceptualization this volume raises two key questions; how left-wing art generated cultural and social formations, and how aesthetic forms held political value across the region. Reframing political aesthetics within a postcolonial and decolonised framework, it traces the trajectories and nuances the left-wing cultural movement took during decolonization, and focuses on connections and continuities across post-1947 India, Pakistan and Bangladesh. Following the evolution of progressive culture in the 1950s and 60s, networks of leftist filmmakers and theatre activists in postcolonial Pakistan, and the changing fate of left cultural politics in Sri Lanka and India during the 1970s, this book looks to reinvigorate the entangled histories of the left cultural movement in post-partition South Asia"
    Note: Also published in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 9781350179189
    Additional Edition: ISBN 9781350230088
    Additional Edition: ISBN 9781350179172
    Additional Edition: ISBN 1350179183
    Additional Edition: ISBN 1350179191
    Additional Edition: ISBN 9781350179196
    Additional Edition: ISBN 9781350230088
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781350230088
    Language: English
    Keywords: Electronic books
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  • 2
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV047896785
    Format: ix, 300 Seiten , Illustrationen
    Edition: First published in Great Britain
    ISBN: 1350179175 , 9781350179172
    Series Statement: Critical perspectives in South Asian history
    Additional Edition: ISBN 9781350179196
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-3501-7919-6
    Language: English
    Subjects: History , Political Science
    RVK:
    RVK:
    RVK:
    Keywords: Südasien ; Die Linke ; Geschichte 1950- ; Aufsatzsammlung
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  • 3
    UID:
    gbv_773001379
    Format: 206 S. , Ill. , 24 cm
    ISBN: 3775736573 , 9783775736572
    Series Statement: Edition Bauhaus 36
    Additional Edition: Dt. Ausg. u.d.T. Das Bauhaus in Kalkutta$cDNB
    Language: English
    RVK:
    Keywords: Indian Society of Oriental Art 14 Kalkutta 1922 ; Britisch-Indien ; Kulturkontakt ; Staatliches Bauhaus Weimar ; Geschichte 1922 ; Bauhaus ; Künstler ; Kulturaustausch ; Britisch-Indien ; Geschichte 1922 ; Ausstellungskatalog ; Ausstellungskatalog
    Author information: Bittner, Regina 1962-
    Author information: Manjapra, Kris 1978-
    Author information: Rhomberg, Kathrin 1963-
    Author information: Chatterjee, Sria
    Author information: Friedewald, Boris 1969-
    Author information: Blume, Torsten 1964-
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  • 4
    Online Resource
    Online Resource
    Stanford, CA : Stanford University Press
    UID:
    gbv_1786448009
    Format: 1 Online-Ressource (344 p)
    Edition: [Online-Ausgabe]
    ISBN: 9781503613003
    Series Statement: South Asia in Motion
    Content: Frontmatter -- Contents -- Illustrations -- Preface -- Introduction: Partisan Aesthetics: Configurations -- Introduction: Partisan Aesthetics: Configurations -- 1. “Political Potentiality”: Jamini Roy and the Formations of Progressive Art Criticism -- 2. “As Agitator and Organizer”: Socialist Realism and Artist-cadres of the Communist Party of India -- 3. “Concrete Contextuality”: Realism and Its Discontents in the Art of the Calcutta Group -- PART II. Postcolonial Displacements -- 4. “All the More Real for Not Being Preached”: Forms and Futures of Socialist Art in Nehruvian India -- 5. “Revolution in the Tropics, Love in the Tropics”: Arts of Displacement in the Post-colony -- Postscript: Toward an Aesthetics of Decolonization -- Notes -- Bibliography -- Index
    Content: Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Redwood City : Stanford University Press
    UID:
    gbv_1699732590
    Format: 1 online resource (xvi, 318 pages) , Illustrationen
    ISBN: 9781503613003
    Series Statement: South Asia in Motion
    Content: Partisan Aesthetics explores art's entanglements with conjunctural and climactic histories of late-colonial and postcolonial India, to foreground political, social, and intellectual formations of modern art during India's long decolonization.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9781503611948
    Additional Edition: Erscheint auch als Druck-Ausgabe Sunderason, Sanjukta Partisan aesthetics Stanford, California : Stanford University Press, 2020 ISBN 9781503612990
    Additional Edition: ISBN 9781503611948
    Language: English
    Keywords: Indien ; Postkolonialismus ; Politische Kunst
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  • 6
    UID:
    gbv_682749672
    Format: Ill
    ISSN: 1464-7230
    In: Object, London : Univ. College, History of Art Dep., 1998, 13(2011), Seite 76-95, 1464-7230
    In: volume:13
    In: year:2011
    In: pages:76-95
    Language: English
    Keywords: Chittaprosad 1915-1978
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