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  • English  (4)
  • Kinemathek  (3)
  • Inst. f. Musikforschung  (1)
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  • 1
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury
    UID:
    b3kat_BV047943788
    Format: xxi, 489 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Porträts (schwarz-weiß) , 25 cm
    ISBN: 9781635574777
    Content: "From the co-author of The World Only Spins Forward comes the first cultural history of Method acting-an ebullient account of creative discovery and the birth of classic Hollywood. On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia's crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself, and emerged with an answer. How his "system" remade itself into the Method and forever transformed American theater and film is an unlikely saga that has never before been fully told. Now, critic and theater director Isaac Butler chronicles the history of the Method in a narrative that transports readers from Moscow to New York to Los Angeles, from The Seagull to A Streetcar Named Desire to Raging Bull. He traces how a cohort of American mavericks-including Stella Adler, Lee Strasberg, and the storied Group Theatre-refashioned Stanislavski's ideas for a Depression-plagued nation that had yet to find its place as an artistic powerhouse. Strasberg and Adler's tempestuous feud would, in turn, shape generations of actors who enabled Hollywood to become the global dream-factory it is today. Some of these performers the Method would uplift; others, it would destroy. Long after its midcentury heyday, the Method lives on as one of the most influential-and misunderstood-ideas in American culture. Studded with marquee names-from Marlon Brando, Marilyn Monroe, and Elia Kazan, to James Baldwin, Ellen Burstyn, and Dustin Hoffman-The Method is a spirited history of ideas and a must-read for any fan of Broadway or American film"
    Note: The only way to save art -- New answers to the problems of living -- The frenzied waltz -- The superconscious through the conscious -- The Stanislavski sickness -- I need a new theatre -- Do you know the secrets of art? -- No hack actors -- The coming of a new religion -- I am passionate about this thing!! -- It makes you weep -- We all thought he was god -- A new inner man -- The life of a prostitute is pretty comfortable -- Your secret self -- Our kind of actors -- It was murder -- Slice-of-life -- Softness and self-indulgenc -- Truth, my ass -- It's been a terrible evening -- How do we do all our stuff in front of that machinery? -- That level of being real -- All the means of expression -- Afterword: The method and the future
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-63557-478-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Stanislavskij, Konstantin Sergeevič 1863-1938 ; Schauspielkunst ; Rezeption ; USA ; Theater ; Film ; Geschichte 1900-2000
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  • 2
    UID:
    gbv_842517294
    Format: xvii, 235 Seiten
    ISBN: 9781442266063
    Content: Introduction: once upon a time at the movies / Douglas Brode -- "And they lived happily ever after?": Disney's animated adaptation of Snow White and the seven dwarfs (1937) and Fleischers' Gulliver's travels / David McGowan -- Marionette as metaphor: Pinocchio and evolving attitudes toward education / Jean-Marie Apostolides -- Here be gay dragons: queer allegory and Disney's The reluctant dragon / Tison Pugh -- Uncle Walt's Uncle Remus: Disney's distortion of Harris's hero / Peggy A. Russo -- "Glory in the flower": Disneyfying Bambi / David Payne -- Through the cinematic looking glass: Walt Disney's 1951 animated Alice and Tim Burton's 2010 film / Sarah Boslaugh -- Walt Disney and Robert Louis Stevenson: Haskin's Treasure island or Stevenson's Kidnapped? / Scott Allen Nollen -- Of medieval ballads and movie musicals: Walt Disney and the Robin Hood legend / Shea T. Brode with Douglas Brode -- "Do you believe in fairies?": Peter Pan, Walt Disney, and me / Elizabeth Bell -- "In God's good time": Walt Disney and 1950s Cold War culture / Cynthia J. Miller and A. Bowdoin Van Riper -- Perchance to dream: a narrative analysis of Disney's Sleeping beauty / Alexis Finnerty with Douglas Brode -- "It's a jungle out there, kid!": Walt Disney and the American 1960s / Greg Metcalf -- "Higitus! figitus!": of Merlin and Disney magic / Susan Aronson -- "This is not the Mary Poppins I know!": P.L. Travers goes to Hollywood / David S. and Olga Silverman -- The wonderful worlds of Dickens and Disney: animated adaptations of Oliver Twist and A Christmas carol / Shari Hodges Holt -- The tao at Pooh corner: Disney's portrayal of a very philosophical bear / Anne Collins Smith and Owen M. Smith -- From icon to Disneyfication: a mermaid's aesthetic journey / Finn Hauberg Mortensen -- Pocahontas as Disney princess: history, legend, literature, and movie mythology / Kathy Merlock Jackson and Gary Edgerton -- "Driven to sin": Victor Hugo's complex vision of humanity in Disney's The hunchback of Notre Dame / Michael Smith -- The integrity of an ape-man: Burroughs, Disney, and the meaning of the Tarzan myth / Stanley A. Galloway
    Note: Literaturangaben , Introduction: once upon a time at the movies / Douglas Brode"And they lived happily ever after?": Disney's animated adaptation of Snow White and the seven dwarfs (1937) and Fleischers' Gulliver's travels / David McGowan -- Marionette as metaphor: Pinocchio and evolving attitudes toward education / Jean-Marie Apostolides -- Here be gay dragons: queer allegory and Disney's The reluctant dragon / Tison Pugh -- Uncle Walt's Uncle Remus: Disney's distortion of Harris's hero / Peggy A. Russo -- "Glory in the flower": Disneyfying Bambi / David Payne -- Through the cinematic looking glass: Walt Disney's 1951 animated Alice and Tim Burton's 2010 film / Sarah Boslaugh -- Walt Disney and Robert Louis Stevenson: Haskin's Treasure island or Stevenson's Kidnapped? / Scott Allen Nollen -- Of medieval ballads and movie musicals: Walt Disney and the Robin Hood legend / Shea T. Brode with Douglas Brode -- "Do you believe in fairies?": Peter Pan, Walt Disney, and me / Elizabeth Bell -- "In God's good time": Walt Disney and 1950s Cold War culture / Cynthia J. Miller and A. Bowdoin Van Riper -- Perchance to dream: a narrative analysis of Disney's Sleeping beauty / Alexis Finnerty with Douglas Brode -- "It's a jungle out there, kid!": Walt Disney and the American 1960s / Greg Metcalf -- "Higitus! figitus!": of Merlin and Disney magic / Susan Aronson -- "This is not the Mary Poppins I know!": P.L. Travers goes to Hollywood / David S. and Olga Silverman -- The wonderful worlds of Dickens and Disney: animated adaptations of Oliver Twist and A Christmas carol / Shari Hodges Holt -- The tao at Pooh corner: Disney's portrayal of a very philosophical bear / Anne Collins Smith and Owen M. Smith -- From icon to Disneyfication: a mermaid's aesthetic journey / Finn Hauberg Mortensen -- Pocahontas as Disney princess: history, legend, literature, and movie mythology / Kathy Merlock Jackson and Gary Edgerton -- "Driven to sin": Victor Hugo's complex vision of humanity in Disney's The hunchback of Notre Dame / Michael Smith -- The integrity of an ape-man: Burroughs, Disney, and the meaning of the Tarzan myth / Stanley A. Galloway.
    Additional Edition: ISBN 9781442266070
    Additional Edition: Erscheint auch als Online-Ausgabe It's the Disney version! Lanham : Rowman & Littlefield, 2016 ISBN 9781442266070
    Language: English
    Keywords: Walt Disney Company ; Literatur ; Klassiker ; Unterhaltungsfilm
    Author information: Brode, Douglas 1943-
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  • 3
    UID:
    b3kat_BV039769020
    Format: V, 223 S. , Ill. , 23 cm
    ISBN: 9780786465873 , 0786465875
    Content: "This volume explores how American popular culture has portrayed civil defense from mid-twentieth-century to the immediate post-September 11 era. Analyzes everything from early government propaganda films and 1950s science fiction films to Happy Days, the Reagan-era TV movie The Day After, and the small-screen nostalgia trend after 9/11"--Provided by publisher
    Note: Includes bibliographical references and index , Duck and cover: civil defense and government propaganda films -- Doomsday on the big screen: civil defense and Fifties cinema -- Doomsday on the small screen: civil defense and early television -- The Kennedy years: "shelter morality" and survivalism -- "Do you really want to have lived without ever having made love?" nuclear nostalgia in the Seventies -- Reagan, the nuclear freeze movement, and the day after -- From the Nineties to 9/11
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Film ; Zivilverteidigung ; Zivilverteidigung ; Geschichte 1951-2001
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  • 4
    UID:
    b3kat_BV042797838
    Format: XIII, 160 Seiten , Notenbeispiele
    ISBN: 9782503564791
    Series Statement: Musical treatises Volume 3
    Content: This book focuses on the origins of instrumentation and orchestration. When a professional orchestra today plays an eighteenth-century work with parts for wind and brass instruments, nothing seems amiss. Yet writers in the eighteenth century and beyond indicate that many notes in these scores could not be played in tune by these instruments; certain notes could be produced only with difficulty or not at all. The present work concentrates on the time period least explored in modern writings - the years before Hector Berlioz's "Grand traité d'instrumentation et d'orchestration modernes" (1843) - and traces the development of instrumentation instruction for composers from its beginnings in the late eighteenth century, after the era of J. S. Bach and G. F. Handel. An introductory chapter includes background information on subjects related to the discussion: intonation, tuning, key action, the lack of a standard pitch level, and the difficulty of reed making. While earlier manuals supply little but the range of instruments, Valentin Roeser's "Essai d'instruction à l'usage de ceux qui composent pour la clarinette et le cor" (1764) offers composers concrete assistance in writing for the clarinet and horn. Louis-Joseph Francoeur's "Diapason général de tous les instrumens à vent" (1772) provides the same for all the winds and brass, as does Othon Vandenbroeck's "Traité général de tous les instrumens à vent à l'usage des compositeurs" (c.1793). This book is not a history of instrumentation per se, but an account of technological progress and ever-increasing knowledge. (Verlag)
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Komposition ; Instrumentation ; Blasinstrument ; Traktat ; Geschichte
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