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  • Hist. Museum Berlin  (15)
  • 2015-2019  (15)
Type of Medium
Language
Region
Library
Year
  • 1
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV045221122
    Format: xix, 428 Seiten , Illustrationen, Karten
    ISBN: 9781107172265 , 9781316623534
    Series Statement: Cambridge companions to culture
    Content: "During the seventeenth century, the Dutch Republic was transformed into a leading political power in Europe, with global trading interests. It nurtured some of the period's greatest luminaries, including Rembrandt, Vermeer, Descartes and Spinoza. Long celebrated for its religious tolerance, artistic innovation and economic modernity, the United Provinces of the Netherlands also became known for their involvement with slavery and military repression in Asia, Africa, and the Americas. This Companion provides a compelling overview of the best scholarship on this much debated era, written by a wide range of experts in the field. Unique in its balanced treatment of global, political, socio-economic, literary, artistic, religious, and intellectual history, its nineteen chapters offer an indispensable guide for anyone interested in the world of the Dutch Golden Age"...
    Content: "Even today few people are unaffected by the term 'Dutch Golden Age'. So commonly has the phrase been applied to the Dutch seventeenth century in, for instance, museums, (art) history books, and tourist guides that it seldom fails to conjure up a range of iconic associations. For many, it will evoke pictures by Rembrandt, Vermeer, Hals, or one of the many other only slightly less famous painters. Others associate it primarily with Dutch economic prosperity and the Republic's trade empire, and might envision the rich merchant houses along the Amsterdam canals, Delftware, or the great East Indiamen of the VOC. Some will think of one or two of the many wars fought by the Dutch Republic, most likely the revolt against Habsburg Spain, the three naval wars against England, or the battles against Louis XIV's France. Grotius, Huygens, Spinoza and the great intellectual achievements of the seventeenth-century Dutch Republic might be less prominent in the minds of most people, as would be the rest of its immense textual heritage, but still one can expect one or two mentions from that field as well. And that is only scratching the surface: evidently, the Dutch Golden Age connotes a great many, very disparate things that are nevertheless distinctive enough to be called Dutch."...
    Note: Includes bibliographical references and index
    Language: English
    Subjects: History , Art History
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    Keywords: Niederlande ; Kultur ; Geschichte ; Landesentwicklung ; Wasserstraße ; Migration ; Militär ; Politik ; Wirtschaft ; Geschichte 1580-1700 ; Niederlande ; Kunstmarkt ; Protestantismus ; Genremalerei ; Literatur ; Wissenschaft ; Geschichte 1580-1700 ; Aufsatzsammlung
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  • 2
    UID:
    b3kat_BV046302848
    Format: Seiten 291-534 , Illustrationen, Diagramme
    Series Statement: Jahrbuch für Wirtschaftsgeschichte Band 60, Heft 2 (2019)
    Note: Beiträge überwiegend englisch, teilweise deutsch
    Language: English
    Subjects: History
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    Keywords: Ukraine ; Wirtschaftliche Elite ; Transformation ; Wirtschaft ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Huss, Oksana 1985-
    Author information: Ziegler, Dieter 1956-
    Author information: Petrenko, Olena 1980-
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  • 3
    UID:
    b3kat_BV043557083
    Format: 323 Seiten
    ISBN: 9783863359300
    Content: "No It Is!" documents two recent major presentations of work by South African artist William Kentridge (born 1955): his exhibition at the Martin-Gropius-Bau in Berlin and his performances at the Berliner Festspiele in summer 2016. This artist’s book incorporates a libretto for a performed guided tour of the exhibition--a performance which is both a guide to the exhibition and an exhibit within it--and writings by or conversations with Kentridge about the two projects. The exhibition includes early drawings, animated films, installations, large-scale projections such as More Sweetly Play the Dance and theatrical pieces ranging from Winterreise, an evening of Schubert lieder, collaborations with the Handspring Puppet Company and chamber opera. In the performance series, titled Drawing Lessons, Kentridge discusses his working methods and his political context, from the Apartheid era to the present.
    Note: Martin-Gropius-Bau, 12. Mai bis 21. August 2016, Haus der Berliner Festspiele, Foreign Affairs - International Performing Arts Festival, 5. bis 17. Juli 2016
    Language: German
    Subjects: Art History
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    Keywords: Kentridge, William 1955- ; Performance ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband
    Author information: Herzogenrath, Wulf 1944-
    Author information: Breidbach, Angela 1960-
    Author information: Kentridge, William 1955-
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  • 4
    Book
    Book
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV045073197
    Format: xiv, 517 Seiten , Illustrationen, Karten
    Edition: First published
    ISBN: 9781107039155 , 9781107611993
    Content: The German Empire before 1914 had the fastest-growing economy in Europe and was the strongest military power in the world. Yet it appeared, from a reading of many contemporaries' accounts, to be lagging behind other nation-states and to be losing the race to divide up the rest of the globe. This book is an ambitious re-assessment of how Wilhelmine Germans conceived of themselves and the German Empire's place in the world in the lead-up to the First World War. Mark Hewitson re-examines the varying forms of national identification, allegiance and politics following the creation and consolidation of a German nation-state in light of contemporary debates about modernity, race, industrialization, colonialism and military power. Despite the new claims being made for the importance of empire to Germany's development, he reveals that the majority of transnational networks and contemporaries' interactions and horizons remained intra-European or transatlantic rather than truly global
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-139-85651-5
    Language: English
    Subjects: History
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    Keywords: Deutschland ; Politik ; Auslandsbeziehungen ; Geschichte 1880-1914
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  • 5
    UID:
    b3kat_BV046113948
    Format: 424 ungezählte Seiten , Illustrationen , 31 Fotobeilagen
    ISBN: 9789462085121
    Content: Headdresses and coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, gender, ethnicity, religion, profession and sub-culture. As part of a cultural identity, they can be used to distinguish or divide people, but may also serve as a constructive instrument that allows us to recognise mutual differences as a common value. Cultural identity is continuously evolving. Photos and texts provide a vehicle to question prevailing dynamics of identity and identification, visual stereotypes and cultural representation. Daniela Dossi's long-term residency at the open and collective studio Manoeuvre, a multidisciplinary artist-run space in Ghent's Rabot neighbourhood, resulted in an open design method, a textile research project based on a visual and textual archive of headdresses from around the world, and a preliminary collection of hybrid headdresses. The super-diversity of the studio provided the ideal context for this research. Together with Dossi, participants from diverse backgrounds and origins made 800 textile samples by hand using different techniques. Based on this open system, new hybrid headdresses and narratives can be designed by remixing images, texts and textiles: what might the headdress of the first Mexican, female President of the United States look like, for example? 'Hybrid Heads' is a project by Daniela Dossi and Manoeuvre. It is also an exhibition, an interactive installation, a web platform and a design-educational programme.
    Note: Colophon: A project by Daniela Dossi and Manoeuvre, developed in the context of an art residency at Maneouvre (Ghent, BE) in 2014-15 and further developed in 2016-19. Published in conjunction with the exhibition 'Hybrid Heads', Design Museum Gent, 05.04.19-10.06.19
    Language: English
    Subjects: Ethnology , Art History
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    Keywords: Dossi, Daniela ; Installation ; Kopfbedeckung ; Kopfbedeckung ; Kulturelle Identität ; Bedeutung ; Textilforschung ; Projekt ; Dossi, Daniela ; Manoeuvre ; Kopfbedeckung ; Design ; Methode ; Ausstellungskatalog
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  • 6
    UID:
    b3kat_BV043745051
    Format: 320 Seiten , 24 x 3.2 x 31 cm
    Edition: First published
    ISBN: 9781851778928 , 9781851778911
    Content: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted.
    Language: English
    Subjects: Musicology
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    Keywords: Musik ; Mode ; Kunst ; Popkultur ; Politik ; Protestbewegung ; Geschichte 1966-1970 ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog
    Author information: Clarke, Alison J.
    Author information: Kramer, Howard
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  • 7
    Book
    Book
    Brooklyn : Melville House
    UID:
    b3kat_BV043769850
    Format: xvi, 263 Seiten , 24 cm
    ISBN: 9781612196589 , 9781612196329 , 1612196322
    Content: Love him or hate him, Trump's influence is undeniable. A man of great media savvy, entrepreneurial spirit, and political clout, Trump's career has been plagued by legal troubles and mounting controversy. Johnston tells the full story of how a boy from a quiet section of Queens, NY would become an entirely new, and complex, breed of public figure. Drawing on decades of interviews, financial records, court documents, and public statements, Johnston gives us the most in-depth look yet at the man who would be president
    Note: Includes bibliographic references (pages 215-258) and index
    Language: English
    Subjects: Political Science
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    Keywords: Trump, Donald 1946- ; Biografie
    Author information: Johnston, David Cay 1948-
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  • 8
    Book
    Book
    Toronto ; Buffalo ; London : University of Toronto Press
    UID:
    b3kat_BV044261030
    Format: xii, 402 Seiten , Illustrationen
    ISBN: 9781487500689 , 9781487520489
    Series Statement: German and European studies 26
    Content: In "The Necessity of Music", Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries. Rather than focus on familiar stories of composers and their work Applegate illuminates the myriad ways in which music is integral to German social life. Musical life reflected the polycentric nature of German social and political life, even while it provided many opportunities to experience what was common among Germans. Musical activities also allowed Germans, whether professional musicians, dedicated amateurs, or simply listeners, to participate in European culture. Applegate's original and fascinating analysis of Mendelssohn, Schumann, Brahms, Wagner, and military music enables the reader to understand music through the experiences of listeners, performers, and institutions. The Necessity of Music demonstrates that playing, experiencing, and interpreting music was a powerful factor that shaped German collective life.
    Note: Part I. Places -- How German is it? -- Music in place -- Musical itinerancy in a world of nations -- Music at the fairs -- Part II. People -- Mendelssohn on the road -- A.B. Marx's cosmopolitan nationalism -- Schumann's German nation -- The musical worlds of Brahm's Hamburg -- Part III. Public and private -- What difference does a nation make? -- Men with trombones -- Women's Wagner -- Hausmusik in the Third Reich -- To be or not to be Wagnerian in Leni Riefenstahl's films -- Saving music
    Language: English
    Subjects: Musicology
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    Keywords: Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1700-1945
    Author information: Applegate, Celia 1959-
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  • 9
    UID:
    b3kat_BV044482265
    Format: xi, 533 Seiten
    Edition: First edition
    ISBN: 9781107165458 , 9781316616994
    Series Statement: Publications of the German Historical Institute
    Content: "Over the past fifteen or twenty years, scholarship on the Third Reich has increasingly recognized the centrality of racial thought to the formulation of policy in a wide array of fields. During the 1980s, scholars began to depict the Third Reich as, in Michael Burleigh and Wolfgang Wippermann's resonant phrase, a 'racial state.' Moving away from an exclusive focus on anti-Semitism, this racial turn broadened the understanding of Nazi racial policy. It expanded awareness of the range of Nazi victims, incorporating, for instance, the murder of the mentally and physically handicapped, and also the sterilization and incarceration of people considered 'asocial,' into a comprehensive account of Nazi biopolitics.
    Content: This approach also broached the question of how broad the support for Nazi racial policies was, interrogating the extent to which ordinary Germans cooperated in the projects of the racial state, for instance, as mothers of 'Aryan' children or as supervisors of 'racially inferior' forced laborers. While the benefits of this approach have been significant, it has become increasingly clear in the last few years that the racial state paradigm has begun to obscure as much as it reveals about the reality of the Third Reich. First, this approach tends to reify race as an epistemological category, presenting it as more coherent and comprehensive than it in fact was.
    Content: The Nazis themselves were aware of the internal tensions and contradictions that plagued any effort to articulate a coherent and comprehensive racial 'science.' Second, the ongoing salience of alternative categories of identity in the Third Reich (ethnic, völkisch, religious, class-based) is difficult to explain within the racial state paradigm. Third, the racial turn blurs the tensions between, on the one hand, specifically racial ideas and policies and, on the other hand, broader traditions of domination and empire-building that acquired at most a superficial racial gloss during the Third Reich. Questions of military necessity or economic advantage coexisted with biopolitical projects"...From German Historical Institute website
    Note: Papers from a conference held at Indiana University, Bloomington, October 23-25, 2009
    Language: English
    Subjects: History
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    Keywords: Deutschland ; Rassismus ; Ethnische Beziehungen ; Rassenpolitik ; Nationalsozialismus ; Geschichte 1933-1945 ; Gesellschaft ; Antisemitismus ; Rassenpolitik ; Konferenzschrift
    Author information: Wetzell, Richard F. 1961-
    Author information: Pendas, Devin O. 1966-
    Author information: Rozman, Marḳ 1958-
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  • 10
    Book
    Book
    Oxford : Oxford University Press
    UID:
    b3kat_BV043277764
    Format: x, 283 Seiten , Illustrationen, Karten
    Edition: First published in paperback
    ISBN: 9780198734932 , 9780198702511
    Series Statement: The greater war
    Content: Empires at War, 1911-1923 offers a new perspective on the history of the Great War, looking at the war beyond the generally-accepted 1914-1918 timeline, and as a global war between empires, rather than a European war between nation-states. The volume expands the story of the war both in time and space to include the violent conflicts that preceded and followed World War I, from the 1911 Italian invasion of Libya to the massive violence that followed the collapse of the Ottoman, Russian, and Austrian empires until 1923. It argues that the traditional focus on the period between August 1914 and November 1918 makes more sense for the victorious western front powers (notably Britain and France), than it does for much of central-eastern and south-eastern Europe or for those colonial troops whose demobilization did not begin in November 1918. The paroxysm of 1914-18 has to be seen in the wider context of armed imperial conflict that began in 1911 and did not end until 1923. Finally, the volume shows how the war set the stage for the collapse not only of specific empires but of the imperial world order
    Language: English
    Subjects: History
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    Keywords: Großmacht ; Internationale Politik ; Bewaffneter Konflikt ; Erster Weltkrieg ; Geschichte 1911-1923 ; Konferenzschrift
    Author information: Gerwarth, Robert 1976-
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