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  • 1
    Online-Ressource
    Online-Ressource
    New York, NY :New York University Press,
    UID:
    edocfu_9959941263002883
    Umfang: 1 online resource : , 22 black and white illustrations
    ISBN: 9781479842452
    Serie: Performance and American Cultures ; 2
    Inhalt: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
    Anmerkung: Frontmatter -- , Contents -- , Introduction: Being Beside -- , 1. Reconstructing Secularisms -- , 2. Archival Enthusiasm -- , 3. The Ghost Dance and Realism’s Techno- Spiritual Frontier -- , 4. Touching a Button -- , 5. Born, Again -- , Coda: Behind, Before, Beside -- , Acknowledgments -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    New York, NY :New York University Press,
    UID:
    almafu_9959941263002883
    Umfang: 1 online resource : , 22 black and white illustrations
    ISBN: 9781479842452
    Serie: Performance and American Cultures ; 2
    Inhalt: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
    Anmerkung: Frontmatter -- , Contents -- , Introduction: Being Beside -- , 1. Reconstructing Secularisms -- , 2. Archival Enthusiasm -- , 3. The Ghost Dance and Realism’s Techno- Spiritual Frontier -- , 4. Touching a Button -- , 5. Born, Again -- , Coda: Behind, Before, Beside -- , Acknowledgments -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    New York :New York University Press,
    UID:
    almahu_9949597177102882
    Umfang: 1 online resource : , illustrations (black and white).
    ISBN: 9781479842452 (ebook) :
    Serie: Performance and American cultures
    Inhalt: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Anmerkung: Also issued in print: 2020.
    Weitere Ausg.: Print version : ISBN 9781479803323
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    New York :New York University Press,
    UID:
    edocfu_9961152504602883
    Umfang: 1 online resource (253 pages).
    ISBN: 1-4798-4245-1
    Serie: Performance and American Cultures
    Inhalt: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Anmerkung: Introduction : being beside -- Reconstructing secularisms -- Archival enthusiasm -- The ghost dance and realism's techno-spiritual frontier -- Touching a button -- Born, again -- Coda : behind, before, beside.
    Weitere Ausg.: ISBN 1-4798-0332-4
    Sprache: Englisch
    Schlagwort(e): Criticism, interpretation, etc.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    New York :New York University Press,
    UID:
    almafu_9961152504602883
    Umfang: 1 online resource (253 pages).
    ISBN: 1-4798-4245-1
    Serie: Performance and American Cultures
    Inhalt: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Anmerkung: Introduction : being beside -- Reconstructing secularisms -- Archival enthusiasm -- The ghost dance and realism's techno-spiritual frontier -- Touching a button -- Born, again -- Coda : behind, before, beside.
    Weitere Ausg.: ISBN 1-4798-0332-4
    Sprache: Englisch
    Schlagwort(e): Criticism, interpretation, etc.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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