Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
  • 1
    Online Resource
    Online Resource
    New York, NY :New York University Press,
    UID:
    edocfu_9959941263002883
    Format: 1 online resource : , 22 black and white illustrations
    ISBN: 9781479842452
    Series Statement: Performance and American Cultures ; 2
    Content: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
    Note: Frontmatter -- , Contents -- , Introduction: Being Beside -- , 1. Reconstructing Secularisms -- , 2. Archival Enthusiasm -- , 3. The Ghost Dance and Realism’s Techno- Spiritual Frontier -- , 4. Touching a Button -- , 5. Born, Again -- , Coda: Behind, Before, Beside -- , Acknowledgments -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    New York, NY :New York University Press,
    UID:
    almafu_9959941263002883
    Format: 1 online resource : , 22 black and white illustrations
    ISBN: 9781479842452
    Series Statement: Performance and American Cultures ; 2
    Content: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late nineteenth- and early twentieth-century American realism, Realist Ecstasy travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism’s relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices—including literature, photography, audio recording, and early film—Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped construct and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance: its production of new and immanent forms of being beside. Across her readings of Stephen Crane, James Weldon Johnson, and Nella Larsen, among others, Reckson triangulates secularism, realism, and racial formation in the post-Reconstruction moment. Realist Ecstasy shows how post-Reconstruction realist texts mobilized gestures—especially the gestures associated with religious ecstasy—to racialize secularism itself. Reckson offers us a distinctly new vision of American realism as a performative practice, a sustained account of how performance lives in and through literary archives, and a rich sense of how closely secularization and racialization were linked in Jim Crow America.
    Note: Frontmatter -- , Contents -- , Introduction: Being Beside -- , 1. Reconstructing Secularisms -- , 2. Archival Enthusiasm -- , 3. The Ghost Dance and Realism’s Techno- Spiritual Frontier -- , 4. Touching a Button -- , 5. Born, Again -- , Coda: Behind, Before, Beside -- , Acknowledgments -- , Notes -- , Bibliography -- , Index -- , About the Author , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949597177102882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9781479842452 (ebook) :
    Series Statement: Performance and American cultures
    Content: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Note: Also issued in print: 2020.
    Additional Edition: Print version : ISBN 9781479803323
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    edocfu_9961152504602883
    Format: 1 online resource (253 pages).
    ISBN: 1-4798-4245-1
    Series Statement: Performance and American Cultures
    Content: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Note: Introduction : being beside -- Reconstructing secularisms -- Archival enthusiasm -- The ghost dance and realism's techno-spiritual frontier -- Touching a button -- Born, again -- Coda : behind, before, beside.
    Additional Edition: ISBN 1-4798-0332-4
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almafu_9961152504602883
    Format: 1 online resource (253 pages).
    ISBN: 1-4798-4245-1
    Series Statement: Performance and American Cultures
    Content: Explores the intersection and history of American literary realism and the performance of spiritual and racial embodiment. Recovering a series of ecstatic performances in late 19th- and early 20th-century American realism, 'Realist Ecstasy' travels from camp meetings to Native American ghost dances to storefront church revivals to explore realism's relationship to spiritual experience. In her approach to realism as both an unruly archive of performance and a wide-ranging repertoire of media practices - including literature, photography, audio recording, and early film - Lindsay V. Reckson argues that the real was repetitively enacted and reenacted through bodily practice.
    Note: Introduction : being beside -- Reconstructing secularisms -- Archival enthusiasm -- The ghost dance and realism's techno-spiritual frontier -- Touching a button -- Born, again -- Coda : behind, before, beside.
    Additional Edition: ISBN 1-4798-0332-4
    Language: English
    Keywords: Criticism, interpretation, etc.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9781479812455?
Did you mean 9781479840052?
Did you mean 9781479822492?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages