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  • 1
    Online-Ressource
    Online-Ressource
    Stockholm : Stockholm University Press
    UID:
    gbv_1794584005
    Umfang: 1 Online-Ressource (xviii, 265 Seiten) , Illustrationen, 1 Karte
    ISBN: 9789176351529
    Serie: Stockholm studies in culture and aesthetics 9
    Originaltitel: Samisk kunst i norsk kunsthistorie: historiografiske riss
    Inhalt: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations
    Anmerkung: Dissertation UiT Norges arktiske universitet 2016 , Norwegian
    Weitere Ausg.: ISBN 9789176351536
    Weitere Ausg.: ISBN 9789176351543
    Weitere Ausg.: ISBN 9789176351550
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Grini, Monica Samisk kunst og norsk kunsthistorie Stockholm : Stockholm University Press, 2021 ISBN 9176351556
    Weitere Ausg.: ISBN 9789176351550
    Sprache: Norwegisch
    Schlagwort(e): Norwegen ; Kunst ; Samen ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    København :H. Aschehoug & Co.,
    UID:
    almahu_BV020145292
    Umfang: 358 Seiten.
    Sprache: Norwegisch
    Fachgebiete: Skandinavistik
    RVK:
    RVK:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    UID:
    gbv_895118327
    Umfang: 401 Seiten , Illustrationen, Karten
    ISBN: 9788740830774
    Serie: University of Southern Denmark studies in history and social sciences vol. 548
    Inhalt: Historien om de fransk-danske kunstneriske forbindelser i den danske enevældes tid, 1660-1849, er en fortælling om kunsten som et redskab i iscenesættelsen af den enevældige kongemagt. Emnet er dermed ikke blot kunsten i sig selv, men også den vekslende historiske baggrund, hvorpå den blev til. Bogen præsenterer samtidig en opmarch af kunstværker i stort og småt, fra rytterstatuer til miniaturemalerier, skabt af ydmyge imitatorer, dygtige håndværkere eller storslåede og originale kunstnere i enevoldskongernes tjeneste. Den kunstneriske inspiration gik hovedsageligt den ene vej, fra Frankrig til Danmark, men samtidig var der hele tiden en vis gensidighed, som de kunstneriske relationer er med til at belyse. Ved Kulturfremstødet Danmark-Frankrig 1987-88 betegnede Hendes Majestæt Dronning Margrethe II 1700-tallets resultater af Frankrigs kunstneriske indflydelse i Danmark som en "forening af fransk elegance og dansk snilde". Bedre sammenfatning kan næppe gives
    Anmerkung: Forord -- Indledning -- En trend -- De dansk-franske kunstneriske forbindelser i litteraturen -- Frederik III -- 1609-70, dansk-norsk konge 1648-70 : den første franske inspiration -- Enevældens baggrund og dens første kongepar -- Den unge danske enevældes kunst -- Sophie Amalies slot -- Kronprinsens uddannelsesrejse til enevældens Frankrig -- Christian V -- 1646-99, dansk-norsk konge 1670-99 : en dansk enevælde efter et fransk forbillede -- Kongen er død : kongen leve! -- Enevoldskongens kunst og dens administration -- Kongelige byggeprojekter -- Rytterstatuen af Christian V -- Franske malere i Danmark : og franske gaver -- Danskere i Frankrig under Christian V -- Kronprinsens rejse -- Frederik IV -- 1671-1730, dansk-norsk konge 1699-1730 : Fransk indflydelse i tysk og italiensk selskab -- En etableret enevælde -- Frederik IV's første 'maison de plaisance' -- Franske kunstnere i Danmark -- Frederik IV's andet 'maison de plaisance' -- Danskere i Frankrig under Frederik IV -- Kronprinsens korte rejse -- Christian VI -- 1699-1746, dansk-norsk konge 1730-46 : en tysk stilindflydelse forvandles til en fransk -- Ydre pragt og indre skyhed -- Tysk eller fransk? -- Christian VI som kunstmæcen -- Et overdådigt byggeri -- Christiansborg : det tyske ydre -- En alsidig franskmand -- Christiansborg : det franske indre -- Fransk kunst uden for hoffet -- Danskere i Frankrig under Christian VI -- Kronprinsens lokale rejser -- Frederik V -- 1723-66, dansk-norsk konge 1746-66 : Kulminationen af den franske stilindflydelse -- En dansk konge og hans internationalt orienterede rådgivere -- Det nationale og det kosmopolitiske -- Forholdene i Frankrig -- Dansk-franske kontakter -- Frederiksstaden -- Saly og rytterstatuen af Frederik V -- Saly og Det kongelige Skildre-, Billedhugger- og Bygningsakademi -- To franske malere og en arkitekt -- Den danske klassicismes franske fader -- Andre franskmaend i Danmark under Frederik V -- Fransk kunst uden for kongehuset : Moltkes og Bernstorffs palæer -- Danskere i Frankrig under Frederik V -- Kronprinsen -- Christian VII -- 1749-1808, dansk-norsk konge 1766-1808 : Nationaliteten i højsædet -- Et omskifteligt kongedømme -- Fremmedhad -- Franske kunstnere i Danmark -- Kongens rejse -- Danskere i Frankrig under Christian VII -- Kronprinsens franskinspirerede opdragelse -- De franske forhold -- Kunsten i Frankrig -- Christiansborgs brand -- Franske flygtninge i Danmark : og danske i Frankrig -- Frederik VI -- 1768-1839, dansk-norsk konge 1808-14, dansk konge 1814-39 : den danske nation afgrænser sig, men beundrer Frankrig -- Et lille fattigt land -- Krisetidens nationale kunst i Danmark -- Forholdene i Frankrig -- Danskere i Frankrig under Frederik VI -- Kronprinsens rejser -- Christian VIII -- 1786-1848, norsk konge 1814, dansk konge 1839-48 : Et afblanceret forhold -- En gennemkultiveret konge -- Dansk kunst -- Danskere i Frankrig under Christian VIII -- Mod enevældens afslutning -- Trends -- Noter -- Litteratur og kilder -- Personregister.
    Sprache: Dänisch
    Schlagwort(e): Frankreich ; Kulturaustausch ; Dänemark ; Kunst ; Geschichte 1660-1849
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Stockholm :Stockholm University Press,
    UID:
    almahu_9949507866702882
    Umfang: 1 online resource (xviii, 265 pages).
    Serie: Stockholm studies in culture and aesthetics
    Inhalt: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Weitere Ausg.: ISBN 91-7635-155-6
    Sprache: Norwegisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Online-Ressource
    Online-Ressource
    Stockholm :Stockholm University Press,
    UID:
    edocfu_9960045512402883
    Umfang: 1 online resource (xviii, 265 pages).
    Serie: Stockholm studies in culture and aesthetics
    Inhalt: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Weitere Ausg.: ISBN 91-7635-155-6
    Sprache: Norwegisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    Stockholm :Stockholm University Press,
    UID:
    edoccha_9960045512402883
    Umfang: 1 online resource (xviii, 265 pages).
    Serie: Stockholm studies in culture and aesthetics
    Inhalt: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Weitere Ausg.: ISBN 91-7635-155-6
    Sprache: Norwegisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    gbv_603996558
    Umfang: 161 S. , zahlr. Ill.
    ISBN: 9788281540408 , 9781904864530
    Anmerkung: Text engl./norweg. - im Kolophon Klebeschild mit ISBN 978-82-8154-040-8 (norsk utgave) , Text norw. und engl.
    Sprache: Norwegisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Faldbakken, Matias 1973- ; Installation ; Videokunst ; Collage ; Fotografie ; Ausstellungskatalog ; Ausstellungskatalog
    Mehr zum Autor: Allen, Jennifer 1965-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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