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  • 1
    Online Resource
    Online Resource
    Samisk kunst og norsk kunsthistorie : delvise forbindelser (2021)
    Stockholm : Stockholm University Press
    Details
    UID:
    gbv_1794584005
    Format: 1 Online-Ressource (xviii, 265 Seiten) , Illustrationen, 1 Karte
    ISBN: 9789176351529
    Series Statement: Stockholm studies in culture and aesthetics 9
    Uniform Title: Samisk kunst i norsk kunsthistorie: historiografiske riss
    Content: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations
    Note: Dissertation UiT Norges arktiske universitet 2016 , Norwegian
    Additional Edition: ISBN 9789176351536
    Additional Edition: ISBN 9789176351543
    Additional Edition: ISBN 9789176351550
    Additional Edition: Erscheint auch als Druck-Ausgabe Grini, Monica Samisk kunst og norsk kunsthistorie Stockholm : Stockholm University Press, 2021 ISBN 9176351556
    Additional Edition: ISBN 9789176351550
    Language: Norwegian
    Keywords: Norwegen ; Kunst ; Samen ; Hochschulschrift
    URL: kostenfrei
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 2
    Book
    Book
    Norsk national kunst : litterære essays (1924)
    København :H. Aschehoug & Co.,
    Details
    UID:
    almahu_BV020145292
    Format: 358 Seiten.
    Language: Norwegian
    Subjects: Scandinavian Studies
    RVK:
    GW 7600
    RVK:
    GW 5300
    Author information: Bukdahl, Jørgen, 1896-1982,
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  • 3
    Image
    Image
    Fransk elegance og dansk snilde : fransk-danske kunstforbindelser i den danske enevældes tid (2017)
    Odense : Syddansk Universitetsforlag
    Details
    UID:
    gbv_895118327
    Format: 401 Seiten , Illustrationen, Karten
    ISBN: 9788740830774
    Series Statement: University of Southern Denmark studies in history and social sciences vol. 548
    Content: Historien om de fransk-danske kunstneriske forbindelser i den danske enevældes tid, 1660-1849, er en fortælling om kunsten som et redskab i iscenesættelsen af den enevældige kongemagt. Emnet er dermed ikke blot kunsten i sig selv, men også den vekslende historiske baggrund, hvorpå den blev til. Bogen præsenterer samtidig en opmarch af kunstværker i stort og småt, fra rytterstatuer til miniaturemalerier, skabt af ydmyge imitatorer, dygtige håndværkere eller storslåede og originale kunstnere i enevoldskongernes tjeneste. Den kunstneriske inspiration gik hovedsageligt den ene vej, fra Frankrig til Danmark, men samtidig var der hele tiden en vis gensidighed, som de kunstneriske relationer er med til at belyse. Ved Kulturfremstødet Danmark-Frankrig 1987-88 betegnede Hendes Majestæt Dronning Margrethe II 1700-tallets resultater af Frankrigs kunstneriske indflydelse i Danmark som en "forening af fransk elegance og dansk snilde". Bedre sammenfatning kan næppe gives
    Note: Forord -- Indledning -- En trend -- De dansk-franske kunstneriske forbindelser i litteraturen -- Frederik III -- 1609-70, dansk-norsk konge 1648-70 : den første franske inspiration -- Enevældens baggrund og dens første kongepar -- Den unge danske enevældes kunst -- Sophie Amalies slot -- Kronprinsens uddannelsesrejse til enevældens Frankrig -- Christian V -- 1646-99, dansk-norsk konge 1670-99 : en dansk enevælde efter et fransk forbillede -- Kongen er død : kongen leve! -- Enevoldskongens kunst og dens administration -- Kongelige byggeprojekter -- Rytterstatuen af Christian V -- Franske malere i Danmark : og franske gaver -- Danskere i Frankrig under Christian V -- Kronprinsens rejse -- Frederik IV -- 1671-1730, dansk-norsk konge 1699-1730 : Fransk indflydelse i tysk og italiensk selskab -- En etableret enevælde -- Frederik IV's første 'maison de plaisance' -- Franske kunstnere i Danmark -- Frederik IV's andet 'maison de plaisance' -- Danskere i Frankrig under Frederik IV -- Kronprinsens korte rejse -- Christian VI -- 1699-1746, dansk-norsk konge 1730-46 : en tysk stilindflydelse forvandles til en fransk -- Ydre pragt og indre skyhed -- Tysk eller fransk? -- Christian VI som kunstmæcen -- Et overdådigt byggeri -- Christiansborg : det tyske ydre -- En alsidig franskmand -- Christiansborg : det franske indre -- Fransk kunst uden for hoffet -- Danskere i Frankrig under Christian VI -- Kronprinsens lokale rejser -- Frederik V -- 1723-66, dansk-norsk konge 1746-66 : Kulminationen af den franske stilindflydelse -- En dansk konge og hans internationalt orienterede rådgivere -- Det nationale og det kosmopolitiske -- Forholdene i Frankrig -- Dansk-franske kontakter -- Frederiksstaden -- Saly og rytterstatuen af Frederik V -- Saly og Det kongelige Skildre-, Billedhugger- og Bygningsakademi -- To franske malere og en arkitekt -- Den danske klassicismes franske fader -- Andre franskmaend i Danmark under Frederik V -- Fransk kunst uden for kongehuset : Moltkes og Bernstorffs palæer -- Danskere i Frankrig under Frederik V -- Kronprinsen -- Christian VII -- 1749-1808, dansk-norsk konge 1766-1808 : Nationaliteten i højsædet -- Et omskifteligt kongedømme -- Fremmedhad -- Franske kunstnere i Danmark -- Kongens rejse -- Danskere i Frankrig under Christian VII -- Kronprinsens franskinspirerede opdragelse -- De franske forhold -- Kunsten i Frankrig -- Christiansborgs brand -- Franske flygtninge i Danmark : og danske i Frankrig -- Frederik VI -- 1768-1839, dansk-norsk konge 1808-14, dansk konge 1814-39 : den danske nation afgrænser sig, men beundrer Frankrig -- Et lille fattigt land -- Krisetidens nationale kunst i Danmark -- Forholdene i Frankrig -- Danskere i Frankrig under Frederik VI -- Kronprinsens rejser -- Christian VIII -- 1786-1848, norsk konge 1814, dansk konge 1839-48 : Et afblanceret forhold -- En gennemkultiveret konge -- Dansk kunst -- Danskere i Frankrig under Christian VIII -- Mod enevældens afslutning -- Trends -- Noter -- Litteratur og kilder -- Personregister.
    Language: Danish
    Keywords: Frankreich ; Kulturaustausch ; Dänemark ; Kunst ; Geschichte 1660-1849
    URL: Inhaltsverzeichnis
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  • 4
    Online Resource
    Online Resource
    Samisk kunst og norsk kunsthistorie : Delvise forbindelser (2021)
    Stockholm :Stockholm University Press,
    Details
    UID:
    almahu_9949507866702882
    Format: 1 online resource (xviii, 265 pages).
    Series Statement: Stockholm studies in culture and aesthetics
    Content: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Additional Edition: ISBN 91-7635-155-6
    Language: Norwegian
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HU Berlin
  • 5
    Online Resource
    Online Resource
    Samisk kunst og norsk kunsthistorie : Delvise forbindelser (2021)
    Stockholm :Stockholm University Press,
    Details
    UID:
    edocfu_9960045512402883
    Format: 1 online resource (xviii, 265 pages).
    Series Statement: Stockholm studies in culture and aesthetics
    Content: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Additional Edition: ISBN 91-7635-155-6
    Language: Norwegian
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    FU Berlin
  • 6
    Online Resource
    Online Resource
    Samisk kunst og norsk kunsthistorie : Delvise forbindelser (2021)
    Stockholm :Stockholm University Press,
    Details
    UID:
    edoccha_9960045512402883
    Format: 1 online resource (xviii, 265 pages).
    Series Statement: Stockholm studies in culture and aesthetics
    Content: Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state's inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field - to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.
    Additional Edition: ISBN 91-7635-155-6
    Language: Norwegian
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
  • 7
    Image
    Image
    Matias Faldbakken : shocked into abstraction ; [National Museum of Art, Architecture and Design, Oslo 28 May to 20 September 2009, Ikon Gallery, Birmingham 25 November 2009 to 24 January 2010] (2009)
    Oslo : National Museum of Art, Architecture and Design
    Details
    UID:
    gbv_603996558
    Format: 161 S. , zahlr. Ill.
    ISBN: 9788281540408 , 9781904864530
    Note: Text engl./norweg. - im Kolophon Klebeschild mit ISBN 978-82-8154-040-8 (norsk utgave) , Text norw. und engl.
    Language: Norwegian
    Subjects: Art History
    RVK:
    LI 99999
    Keywords: Faldbakken, Matias 1973- ; Installation ; Videokunst ; Collage ; Fotografie ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    Author information: Faldbakken, Matias 1973-
    Author information: Ustvedt, Øystein 1965-
    Author information: Allen, Jennifer 1965-
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