Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (167 pages)

ISBN: 9783662492642

Content: Intro -- Vorwort -- Inhaltsverzeichnis -- Abkürzungsverzeichnis -- Kapitel 1 Einleitung -- 1.1 Ressourceneffizienz -- 1.2 Möglichkeiten und Grenzen der Ressourceneffizienzbewertungmit der ESSENZ-Methode -- Kapitel 2 Ablauf der Ressourceneffizienzbewertungmit der ESSENZ-Methode -- Kapitel 3 Modellierung des Produktsystems -- 3.1 Ziel und Untersuchungsrahmen -- 3.2 Sachbilanz -- Kapitel 4 Methodik zur Bewertungder Ressourceneffizienzdimensionen -- 4.1 Methodik zur Bewertung der Verfügbarkeit von Metallenund fossilen Rohstoffen -- 4.1.1 Methodik zur Bewertung der physischen Verfügbarkeit -- 4.1.2 Methodik zur Bewertung der sozio-ökonomische Verfügbarkeit -- 4.2 Methodik zur Bewertung der gesellschaftlichen Akzeptanz -- 4.3 Methodik zur Bewertung der Umweltauswirkungen -- 4.4 Bewertung des Nutzens -- Kapitel 5 Berechnung der Ressourceneffizienz -- 5.1 Allgemeines Vorgehen -- 5.2 Berechnung der Verfügbarkeit für Metalleund fossile Rohstoffe -- 5.2.1 Berechnung der physischen Verfügbarkeit -- 5.2.2 Berechnung der sozio-ökonomischen Verfügbarkeit -- 5.3 Berechnung der gesellschaftlichen Akzeptanz -- 5.4 Berechnung der Umweltauswirkungen -- 5.5 Ermittlung der Ressourceneffizienz -- Kapitel 6 Interpretation der Ergebnisse -- 6.1 Unsicherheiten in der Bewertung -- 6.2 Interpretation der Verfügbarkeit -- 6.2.1 Interpretation der physischen Verfügbarkeit -- 6.2.2 Interpretation der sozio-ökonomischen Verfügbarkeit -- 6.3 Interpretation der gesellschaftlichen Akzeptanz -- 6.4 Interpretation der Umweltbewertung -- 6.5 Interpretation der ermittelten Ressourceneffizienz -- 6.6 Interpretation des Gesamtergebnisses -- Kapitel 7 Aggregation zum Vergleichvon Produktalternativen -- Kapitel 8 Fazit und Ausblick -- Kapitel 9 Anhang -- 9.1 Anhang 1: Charakterisierungsfaktoren für Metalleund fossile Rohstoffe -- 9.1.1 Metalle -- 9.1.2 Fossile Rohstoffe.

Note: Description based on publisher supplied metadata and other sources

Additional Edition: ISBN 9783662492635

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783662492635

Language: German

Keywords: Electronic books.

URL: lizenzpflichtig

URL: FULL  ((Currently Only Available on Campus))

UID:

Format: 165 p. ; , 18 cm.

ISBN: 9780141035796 (pbk.) : , 014103579X (pbk.) :

Series Statement: Penguin on design

Note: Originally published: London: BBC/Penguin, 1972. , Title from cover. , Formerly CIP.

Language: English

UID:

Format: 79 pages : , illustrations ; , 26 cm.

ISBN: 9783980776226 (pbk.) , 3980776220 (pbk.)

Content: MACHINE-GENERATED SUMMARY NOTE: "1990 wurde der Marianne-Werefkin-Preis ins Leben gerufen und in der Satzung festgeschrieben. Damit folgte der Verein seiner Tradition, das herausragende Schaffen von Künstlerinnen zu honorieren. In seiner Gründungszeit war es der deutschlandweit erste, ausschließlich Künstlerinnen gewidmete Preis. Namenspatronin ist die berühmte Avantgardistin und Expressionistin Marianne von Werefkin (1860-1938). Die Künstlerin war Privatschülerin von Ilja Repin. Bis zur Bekanntschaft mit Alexej Jawlensky malte sie hervorragende impressionistische und realistische Bilder. Mit der Übersiedlung nach München stellte sie ihre Kunst zugunsten der Förderung ihres Partners für zehn Jahre zurück. Maßgeblich war sie an der Gründung der 'Neuen Künstlervereinigung München' und des 'Blauen Reiters' beteiligt. 1906 wandte sie sich wieder der Malerei zu. Sie schuf eine Vielzahl an fulminanten Arbeiten, in denen sie den Expressionismus vorantrieb. Mit Jawlensky, Gabriele Münter und Wassily Kandinsky revolutionierte Marianne Werefkin die Kunst des frühen 20. Jahrhunderts. Ihre Arbeiten befinden sich in der Fondazione Marianne Werefkin Ascona, in der Städtischen Galerie im Lenbachhaus München und im Museum Wiesbaden. Das Preisgeld des Marianne Werefkin-Preises in Höhe von 5.000 € wird von Kunstfreund.innen gestiftet, darunter Heidi Hetzer vom Berliner Opelhaus Hetzer, Ute Gräfin von Hardenberg, Bodo Brückner von der Firma Lieken-Urkorn, Wolfgang Dreyer und Klaus-Peter Gulich von der Versicherung Zurich-Gruppe und Gerhard Girner und Martin Steinkühler von der Deutschen Apotheker- und Ärztebank. Zweck des Preises laut Vereinssatzung ist: '... Maßnahmen der Öffentlichkeitsarbeit mit dem Ziel, die lange Tradition künstlerisch arbeitender Frauen und die Bedeutung ihres Werkes in Geschichte, Gegenwart und Zukunft im deutschen und internationalen Kulturkreis bekannt zu machen.' (§ 3, Vereinssatzung)." -- In 1990 the Marianne Werefkin Prize was launched and set out in the statutes. In doing so, the association followed its tradition of honoring the outstanding work of women artists. When it was founded, it was the first prize in Germany to be exclusively dedicated to women artists. The namesake is the famous avant-garde and expressionist Marianne von Werefkin (1860-1938). The artist was a private student of Ilya Repin. Until she became acquainted with Alexej Jawlensky, she painted excellent impressionistic and realistic pictures. When she moved to Munich, she put her art on hold for ten years in favor of her partner's support. She was instrumental in founding the 'New Artists' Association Munich' and the Blue Rider '. In 1906 she turned back to painting. She created a multitude of brilliant works in which she advanced expressionism. With Jawlensky, Gabriele Münter and Wassily Kandinsky, Marianne Werefkin revolutionized the art of the early 20th century. Her work can be found in the Fondazione Marianne Werefkin Ascona, in the Städtische Galerie im Lenbachhaus Munich and in the Museum Wiesbaden. The prize money of the Marianne Werefkin Prize of € 5,000 is donated by Kunstfreund.innen, including Heidi Hetzer from the Berlin Opelhaus Hetzer, Ute Countess von Hardenberg, Bodo Brückner from the Lieken-Urkorn company, Wolfgang Dreyer and Klaus-Peter Gulich from der Insurance Zurich Group and Gerhard Girner and Martin Steinkühler from the Deutsche Apotheker- und Ärztebank. According to the association's statutes, the purpose of the prize is: '... public relations measures with the aim of making the long tradition of women who work artistically and the importance of their work in the past, present and future known in German and international culture." (§ 3, association statutes)"

Language: German

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Format: xxiii, 233 pages : , illustrations ; , 24 x 16.5 cm.

Edition: 4th edition.

ISBN: 9781442206694 (pbk.) , 1442206691 (pbk.) , 9781442206687 (hbk.) , 1442206683 (hbk.)

Content: MACHINE-GENERATED SUMMARY NOTE: "Now in its fourth edition, the popular Ads, Fads, and Consumer Culture is an engaging cultural studies critique of contemporary advertising and its impacts on American society. Arthur Asa Berger looks at marketing strategies, sex and advertising, consumer culture, political advertising, and communication theory and process to give an accessible overview of advertising in America. This new edition features up-to-date examples and new theoretical material, including expanded discussions of a number of topics, such as Weber's study of religion and its role in consumption, the role of the unconscious and emotion in shaping consumer behavior, the way brands shape the behavior of 'mall girls,' sexuality and advertising, and Maslow's theory of needs. The book also comes complete with updated ads and Berger's signature drawings. Whether they are new to Berger's lively style of teaching and writing or loyal adopters, advertising and media professors will want to check out the latest edition of this text."

Language: English

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Format: xvi, 267 pages : , richly illustrated ; , 23.5 cm.

Edition: 4th edition, international edition.

ISBN: 9780071086080 (pbk.) , 0071086080 (pbk.)

Content: MACHINE-GENERATED SUMMARY NOTE: "Seeing is Believing: An Introduction to Visual Communication uses semiotic theory, psychoanalytic theory and other theories to deal with various aspects of visual communication in an accessible, interesting and entertaining book. It has many new images that reflect the topics discussed in the book and a number of discussion of relevant topics such as postmodernism, tattoos, facial expression, neuromarketing, advertising and persuasion, cultural codes, typographic theory, photograph and landscape, photography and narcissism, digital photography and oil painting, dreams and a rewritten chapter on computers that deals with videogames and social media among other things. The author has also included a number of new drawings he made."

Note: EDITORIAL NOTE: previous edition: ©2008.

Language: English

Keywords: Textbooks

UID:

Format: 1 online resource (104 pages).

Edition: 1st edition

ISBN: 9780692283950

Content: In the 2011 book Dark Matter: Art and Politics in the Age of Enterprise Culture, the artist Gregory Sholette posits that we are living in an era of surplus creative energies concentrated in a teeming archive of artists, the poor, the "unskilled" and the "economically invisible." It is a potentially disruptive archive that capitalism can't always manage but can still hope to eventually exploit and assimilate. Within this archive seethes creative energy that can extend itself in unique and unsettling ways, across multiple categories and disciplines. Often, however such energy is captured by the winners and arbiters in our "risk society" and thereby sanitized and neutralized. So it becomes necessary for artists, theorists, writers and activists to be versatile in their tactics, cryptic and evasive in their manifestations and criminally implacable in their visions. The Iron Garters are an "art gang" that masquerades, disseminates and performs as your archetypal "criminals," "outcasts" "mystics," "losers" and "lunatics": in short, a vital and necessary social surplus. Their antics have been traced back to Jean Genet's novel The Thief's Journal, the films of Kenneth Anger, as well as the Dada poems of Baroness Elsa and Hugo Ball. Yet still other Garters have been nourished on the Vienna Actionists, Genesis P-Orridge, Diamanda Galas, Gilles Deleuze, Samuel Delany, and the dulcet sounds of The Cramps. With a critical and aesthetic arsenal salvaged from underground "kulchurs" and academia's collective libido, the Iron Garters are not afraid to demand excitement along with analysis, frenzy coupled to resistance, and fashion inseparable from infiltration. Founded in San Francisco on a full moon night after a "deathpunk" show, the original members grew adversely impacted by the economic invasions reducing a once great city to a tepid monoculture. Fueled by queer, antinomian, heretical and radical traditions, the Garters pilgrimaged into various trans-continental sanctuaries and beachheads, leaving behind them radiant paper trails of provocation and sedition. This volume is one such radiant paper trail.

Note: Available through punctum books. , Mode of access: World Wide Web.

Language: English

DOI: 10.21983/P3.0107.1.00

URL: FULL

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Format: xiii, 274 pages : , illustrations (chiefly color) ; , 25 cm

ISBN: 9781032154053 , 1032154055 , 9781032154077 , 1032154071

Content: "This book investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and our environment. A collection of timely new scholarship, this edited volume is multidisciplinary in its approach, presenting repair as an act, metaphor, and foundation for opening up a dialogue about design's role in proposing alternative social, environmental, and economic futures. This thematically expansive and richly illustrated book, with over 100 visuals, features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to multiple forms of repair as entry points for sparking novel insights into how we might attend to our broken social and physical worlds. Organized into reparative thinking and practices, it features thirty long and short essays, photo essays, and interviews, representing projects and research by artists, designers, architects, museum professionals, sociologists, anthropologists, historians, business analysts, and entrepreneurs. Chapters focus on reparative responses to fractured systems, relationships, cities, architecture, objects, and more. Repair will encourage students, academics, researchers and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage and rethink the act of repair and its impact on our society and environment"--

Note: Reparative thinking : broken worlds. , Five theses on repair in most of the world / , Who decides? power, brokenness, and healing / , Repairing the cracked concrete / , Broken urban: repair as postapocalyptic design / , Why save this? / , Repair and imperfection through the lens of the spectral / , For the rain, for the wind / , Reparative practices : wounds, sutures, and scars. , Aesthetics of visible repair: the challenge of kintsugi / , Repair and design futures: an exhibition and call to action / , Darning over renewal / , Thinking rubble: ruin and repair at war's end / , Open dialogues and material memory / , What is the work of love today? repair, care, and carrying / , Kurhirani no ambakiti (burning the devil): since that's the only way they listen to us / , Reparative thinking : alternative ways. , Borderlanders: a political concept for repair / , Repair on the move / , My grandmother's mended socks: layered design thinking and durability / , Is business beyond repair? / , Repairing imaginations: rethinking the ethics of growth and degrowth / , Is repair repairing architecture? / , Trans-repair: emancipatory techno-poetics / , Reparative practices : patched and reassembled. , Community repair in south africa: an interview with kevin kimwelle / , Fixing as learning / , Make-do-and-mend: the repair and reuse of existing buildings / , Hand me up / , Recovering a sense of place / , (Hi)Stories of repair / , Notions of repair as a pedagogical dialogue / , Toward repairing the social fabric: music performance and pedagogy at work / , Stronger futures : a call to action / , Lexicon of repair /

Additional Edition: Online version: Repair. London : Routledge, 2023 ISBN 9781000641615

Language: English

DOI: 10.4324/9781003244028

UID:

Format: 1 online resource (167 pages)

ISBN: 9783662492642

Note: Intro -- Vorwort -- Inhaltsverzeichnis -- Abkürzungsverzeichnis -- Kapitel 1 Einleitung -- 1.1 Ressourceneffizienz -- 1.2 Möglichkeiten und Grenzen der Ressourceneffizienzbewertungmit der ESSENZ-Methode -- Kapitel 2 Ablauf der Ressourceneffizienzbewertungmit der ESSENZ-Methode -- Kapitel 3 Modellierung des Produktsystems -- 3.1 Ziel und Untersuchungsrahmen -- 3.2 Sachbilanz -- Kapitel 4 Methodik zur Bewertungder Ressourceneffizienzdimensionen -- 4.1 Methodik zur Bewertung der Verfügbarkeit von Metallenund fossilen Rohstoffen -- 4.1.1 Methodik zur Bewertung der physischen Verfügbarkeit -- 4.1.2 Methodik zur Bewertung der sozio-ökonomische Verfügbarkeit -- 4.2 Methodik zur Bewertung der gesellschaftlichen Akzeptanz -- 4.3 Methodik zur Bewertung der Umweltauswirkungen -- 4.4 Bewertung des Nutzens -- Kapitel 5 Berechnung der Ressourceneffizienz -- 5.1 Allgemeines Vorgehen -- 5.2 Berechnung der Verfügbarkeit für Metalleund fossile Rohstoffe -- 5.2.1 Berechnung der physischen Verfügbarkeit -- 5.2.2 Berechnung der sozio-ökonomischen Verfügbarkeit -- 5.3 Berechnung der gesellschaftlichen Akzeptanz -- 5.4 Berechnung der Umweltauswirkungen -- 5.5 Ermittlung der Ressourceneffizienz -- Kapitel 6 Interpretation der Ergebnisse -- 6.1 Unsicherheiten in der Bewertung -- 6.2 Interpretation der Verfügbarkeit -- 6.2.1 Interpretation der physischen Verfügbarkeit -- 6.2.2 Interpretation der sozio-ökonomischen Verfügbarkeit -- 6.3 Interpretation der gesellschaftlichen Akzeptanz -- 6.4 Interpretation der Umweltbewertung -- 6.5 Interpretation der ermittelten Ressourceneffizienz -- 6.6 Interpretation des Gesamtergebnisses -- Kapitel 7 Aggregation zum Vergleichvon Produktalternativen -- Kapitel 8 Fazit und Ausblick -- Kapitel 9 Anhang -- 9.1 Anhang 1: Charakterisierungsfaktoren für Metalleund fossile Rohstoffe -- 9.1.1 Metalle -- 9.1.2 Fossile Rohstoffe , 9.2 Anhang 2: Wirkungsindikatorbeträge -- 9.3 Anhang 3: Distance-to-Target-Werte -- 9.4 Anhang 4: Globale Produktionsdaten -- 9.5 Anhang 5: Maximale normalisierte Distance-to-Target-Werte -- 9.6 Anhang 6: Normalisierte Distance-to-Target-Werte -- 9.7 Anhang 7: Auswertung der Stakeholderbefragung -- 9.7.1 Minenkapazität -- 9.7.2 Nachfragewachstum -- 9.7.3 Primärmaterialanteil -- 9.8 Anhang 8: Darstellung der Berechnungder Charakterisierungsfaktoren am Beispiel Silber -- 9.8.1 Bewertung der Teildimension and#x201E;Physische Verfügbarkeit" -- 9.8.2 Bewertung der Teildimension"Sozio-ökonomische Verfügbarkeit" -- Glossar -- Referenzen

Additional Edition: Print version Bach, Vanessa Messung Von Ressourceneffizienz Mit der ESSENZ-Methode Berlin, Heidelberg : Springer Berlin / Heidelberg,c2016 ISBN 9783662492635

Language: German

Keywords: Electronic books.

URL: FULL  ((Currently Only Available on Campus))

UID:

Format: 1 online resource (149 pages)

Edition: 1st ed.

ISBN: 9781136415401

Content: A one-of-a-kind analysis of ocean cruising! In Ocean Travel and Cruising: A Cultural Analysis, noted author Arthur Asa Berger turns his critical eye to the phenomenon of ocean cruising. This academically solid yet reader-friendly book brings a multidisciplinary cultural studies approach to the subject, examining ocean cruising from economic, semiotic, sociological, psychoanalytic, and marketing perspectives, and offering insights not provided by the more traditional sociological approaches to the subject. You'll explore cruise demographics, the relationship between cruising and gender, the sociology of dining on cruise ships, hedonism and pleasure seeking, the compulsion to cruise, consolidation in the industry, the exploitation of workers on cruise ships, and a great deal more. Here's a section-by-section rundown of what's in store for you and your students in this one-of-a-kind new text: The Economics of Cruising examines cruise categories, industry consolidation, worker exploitation, and ways that cruise lines make money aside from ticket sales. This section also compares the costs of cruises vs. land-based vacations and fills you in on the typical weekly food and beverage consumption of the Carnival line's complement of ships, which sheds light on how a cruise line can, for a mere 10, provide a food array that would cost a restaurant or hotel 33 to 40. Signs at SeaThe Semiotics of Cruising provides you with a quick primer on semiotics and then discusses the cruise ship as a sign system and then breaks the system down to its component parts, discussing dining rooms, cabins/staterooms, dress codes, spatiality, luxury signifiers, the perceived elitism of the cruise experience, the role of photography, and more. A Sociological Analysis of Cruising explores cruise demographics and their meaning, time budgeting on cruises, the sociology of

Content: dining, new trends in cruising, and the meaning of gender in relation to ocean cruising. A particularly intriguing chapter is A Psychoanalytic Interpretation of Cruising. Beginning with a look at the compulsion to cruise, this section explores cruising's relationship with the unconscious, the paradise myth, hedonism and pleasure seeking, the desire for unconditional love, psychological regression, and more. In Selling Smooth Sailing: Advertising and Marketing Cruises, you'll examine print advertisements from eight major cruise lines, look at what they have in common and what the differences are between the messages each cruise line hopes to convey via the style and content of their ads and brochures. Cruising (on) the Internet looks at the intersection of the information superhighway with the world of cruising. You'll learn about the cruise lines' own Web sites, travel agency sites, Internet sites designed to rate and review cruises and cruise ships, and more. Notes from a Cruise Journal shares the author's on-site reflections and impressions of a weeklong cruise from Los Angeles to Puerto Vallarta, Mexico, and back. Written in accessible, jargon-free language that will appeal to students at all levels, Ocean Travel and Cruising: A Cultural Analysis is the most recent of a very small selection of scholarly studies of ocean cruising available in English. Make it a part of your cultural studies, leisure studies, sociology, travel/tourism/hospitality, popular culture, or American studies course this semester!

Note: Intro -- Ocean Travel and Cruising: A Cultural Analysis -- Copyright -- Contents -- Preface: The Joke Is on Me! -- Acknowledgments -- Chapter 1. The Economics of Cruising -- Cruising to Alaska: A Case Study -- Cruises Compared to Land-Based Vacations -- Other Ways Cruise Lines Make Money -- Cruise Categories -- Consolidation of the Cruise Industry -- Exploitation of Workers on Cruise Ships? -- Conclusion -- Chapter 2. Signs at Sea: The Semiotics of Cruising -- A Primer on Semiotics -- The Cruise Ship As a Sign System -- Cruises and Pilgrimages -- Names of Cruise Lines and the Perceived Elitism of the Cruise Experience -- Taking Photographs and Using Video Cameras Conclusion -- Conclusion -- Chapter 3. Sociological Analysis of Cruising -- Cruise Demographics -- Gender and Cruising -- Carnivalization Theory and Cruising -- The Sociology of Dining -- Time Budgets and the Busy Life at Sea -- New Trends in Cruising -- Conclusion -- Chapter 4. A Psychoanalytic Interpretation of Cruising -- The Compulsion to Cruise -- Sea and Psyche -- The Paradise Myth and Cruises -- Cruise Liners As Floating Utopias -- Hedonism and Pleasure Seeking -- Cruise Taking As Regression in the Service of the Ego -- The Gourmet/Gourmand Problem -- Unconditional Love -- The Agony of the Choice -- Escaping the Boredom of Everyday Life -- Behind the Facade: Daily Life of Crew Members -- The Ship As a Labyrinth: A Speculative Theory -- The Cruise Travel Agent As "Fairy Godmother" -- Conclusion -- Chapter 5. Selling Smooth Sailing: Advertising and Marketing Cruises -- Interpreting Advertisements -- What Can Be Analyzed in a Print Advertisement? -- Cruise Advertising in the August 2002 Travel + Leisure Magazine -- Commonalities in These Cruise Advertisements -- Two Cruise Line Brochure (Catalog) Covers -- Conclusion -- Chapter 6. Cruising (on) the Internet , Cruising the Internet for Cruises -- Categories of Cruise-Related Web Sites -- Internet Cruise-Only Travel Agencies -- Cruise Line Web Sites -- Conclusion -- Chapter 7. Notes from a Cruise Journal -- References -- Index

Additional Edition: Print version Chon, Kaye Sung Ocean Travel and Cruising Florence : Taylor & Francis Group,c2004 ISBN 9780789021977

Language: English

Keywords: Electronic books

URL: Full-text  ((OIS Credentials Required))