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  • Berlin International  (7)
  • GB Schulzendorf  (5)
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  • 1
    UID:
    gbv_504123483
    Format: 44 S. , zahlr. Ill. , 240 mm x 210 mm, 400 gr.
    ISBN: 3866135076 , 9783866135079
    Series Statement: Was Kinder wissen wollen 20
    Content: Der Regenbogen hat kein Ende und keinen Anfang. Wussten Sie dass? Viele Kinder wissen diese Antwort sicher auch nicht. Ebenso wenig wie auf die vielen anderen Fragen, welche in diesem Band der bewährten Reihe von Velber "Was Kinder wissen wollen?!" gestellt werden. Zwischen Himmel und Erde ist so manches unklar, doch zumindest werden in diesem Buch wieder einmal reihentypisch 20 Fragen eine Antwort finden. Übersichtlich und leicht verständlich wie auch bei den bisher erschienen Titeln (zuletzt Fußball, BA 1/06). Klare Aufteilung der Informationen auf 2 Seiten mit Erklärung, Besonderheit, nettem Comic und schönem Foto. Weiterhin sehr gut zu empfehlen.. - Warum ist der Mars rot? Wie hoch ist der Himmel? Mit vielen Bildern hält das Buch Antworten auf Kinderfragen zu Himmel und Erde bereit. Ab 6.
    Language: German
    Keywords: Erde ; Kindersachbuch ; Kindersachbuch ; Kindersachbuch
    Author information: Kersten, Detlef 1948-
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  • 2
    UID:
    b3kat_BV023803017
    Format: 69 S. , zahlr. Ill.
    ISBN: 3866135521
    Series Statement: Clever! - das Buch, das Wissen schafft
    Language: German
    Author information: Boning, Wigald 1967-
    Author information: Berger, Ulrike
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  • 3
    Book
    Book
    Freiburg i. Br. : Velber
    UID:
    kobvindex_VBRD-i97838661328180045
    Format: 45 S. : zahlr. Ill.
    Edition: 2. Aufl.
    ISBN: 9783866132818
    Series Statement: Schau, so geht das! 7
    Language: German
    Keywords: Kindersachbuch ; Kindersachbuch
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  • 4
    UID:
    gbv_1696221412
    Format: 1 online resource (149 pages)
    ISBN: 9781136415401
    Content: A one-of-a-kind analysis of ocean cruising! In Ocean Travel and Cruising: A Cultural Analysis, noted author Arthur Asa Berger turns his critical eye to the phenomenon of ocean cruising. This academically solid yet reader-friendly book brings a multidisciplinary cultural studies approach to the subject, examining ocean cruising from economic, semiotic, sociological, psychoanalytic, and marketing perspectives, and offering insights not provided by the more traditional sociological approaches to the subject. You'll explore cruise demographics, the relationship between cruising and gender, the sociology of dining on cruise ships, hedonism and pleasure seeking, the compulsion to cruise, consolidation in the industry, the exploitation of workers on cruise ships, and a great deal more. Here's a section-by-section rundown of what's in store for you and your students in this one-of-a-kind new text: The Economics of Cruising examines cruise categories, industry consolidation, worker exploitation, and ways that cruise lines make money aside from ticket sales. This section also compares the costs of cruises vs. land-based vacations and fills you in on the typical weekly food and beverage consumption of the Carnival line's complement of ships, which sheds light on how a cruise line can, for a mere 10, provide a food array that would cost a restaurant or hotel 33 to 40. Signs at SeaThe Semiotics of Cruising provides you with a quick primer on semiotics and then discusses the cruise ship as a sign system and then breaks the system down to its component parts, discussing dining rooms, cabins/staterooms, dress codes, spatiality, luxury signifiers, the perceived elitism of the cruise experience, the role of photography, and more. A Sociological Analysis of Cruising explores cruise demographics and their meaning, time budgeting on cruises, the sociology of
    Content: Intro -- Ocean Travel and Cruising: A Cultural Analysis -- Copyright -- Contents -- Preface: The Joke Is on Me! -- Acknowledgments -- Chapter 1. The Economics of Cruising -- Cruising to Alaska: A Case Study -- Cruises Compared to Land-Based Vacations -- Other Ways Cruise Lines Make Money -- Cruise Categories -- Consolidation of the Cruise Industry -- Exploitation of Workers on Cruise Ships? -- Conclusion -- Chapter 2. Signs at Sea: The Semiotics of Cruising -- A Primer on Semiotics -- The Cruise Ship As a Sign System -- Cruises and Pilgrimages -- Names of Cruise Lines and the Perceived Elitism of the Cruise Experience -- Taking Photographs and Using Video Cameras Conclusion -- Conclusion -- Chapter 3. Sociological Analysis of Cruising -- Cruise Demographics -- Gender and Cruising -- Carnivalization Theory and Cruising -- The Sociology of Dining -- Time Budgets and the Busy Life at Sea -- New Trends in Cruising -- Conclusion -- Chapter 4. A Psychoanalytic Interpretation of Cruising -- The Compulsion to Cruise -- Sea and Psyche -- The Paradise Myth and Cruises -- Cruise Liners As Floating Utopias -- Hedonism and Pleasure Seeking -- Cruise Taking As Regression in the Service of the Ego -- The Gourmet/Gourmand Problem -- Unconditional Love -- The Agony of the Choice -- Escaping the Boredom of Everyday Life -- Behind the Facade: Daily Life of Crew Members -- The Ship As a Labyrinth: A Speculative Theory -- The Cruise Travel Agent As "Fairy Godmother" -- Conclusion -- Chapter 5. Selling Smooth Sailing: Advertising and Marketing Cruises -- Interpreting Advertisements -- What Can Be Analyzed in a Print Advertisement? -- Cruise Advertising in the August 2002 Travel + Leisure Magazine -- Commonalities in These Cruise Advertisements -- Two Cruise Line Brochure (Catalog) Covers -- Conclusion -- Chapter 6. Cruising (on) the Internet.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780789021977
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780789021977
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
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  • 5
    AV-Medium
    AV-Medium
    Intermusic
    UID:
    kobvindex_VBRD-gripetgrgaga10intc
    Format: 1 CD
    Language: German
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  • 6
    Book
    Book
    Freiburg i. Br. : Velber
    UID:
    kobvindex_VBRD-i38661326540044
    Format: 44 S. : zahlr. Ill.
    Edition: 2. Aufl.
    ISBN: 3866132654
    Series Statement: Schau, so geht das! 3
    Language: German
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  • 7
    Book
    Book
    London :Penguin,
    UID:
    kobvindex_INT014566243
    Format: 165 p. ; , 18 cm.
    ISBN: 9780141035796 (pbk.) : , 014103579X (pbk.) :
    Series Statement: Penguin on design
    Note: Originally published: London: BBC/Penguin, 1972. , Title from cover. , Formerly CIP.
    Language: English
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  • 8
    Book
    Book
    Berlin, Germany :Georg-Kolbe-Museum ;
    UID:
    kobvindex_INT0001801
    Format: 79 pages : , illustrations ; , 26 cm.
    ISBN: 9783980776226 (pbk.) , 3980776220 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "1990 wurde der Marianne-Werefkin-Preis ins Leben gerufen und in der Satzung festgeschrieben. Damit folgte der Verein seiner Tradition, das herausragende Schaffen von Künstlerinnen zu honorieren. In seiner Gründungszeit war es der deutschlandweit erste, ausschließlich Künstlerinnen gewidmete Preis. Namenspatronin ist die berühmte Avantgardistin und Expressionistin Marianne von Werefkin (1860-1938). Die Künstlerin war Privatschülerin von Ilja Repin. Bis zur Bekanntschaft mit Alexej Jawlensky malte sie hervorragende impressionistische und realistische Bilder. Mit der Übersiedlung nach München stellte sie ihre Kunst zugunsten der Förderung ihres Partners für zehn Jahre zurück. Maßgeblich war sie an der Gründung der 'Neuen Künstlervereinigung München' und des 'Blauen Reiters' beteiligt. 1906 wandte sie sich wieder der Malerei zu. Sie schuf eine Vielzahl an fulminanten Arbeiten, in denen sie den Expressionismus vorantrieb. Mit Jawlensky, Gabriele Münter und Wassily Kandinsky revolutionierte Marianne Werefkin die Kunst des frühen 20. Jahrhunderts. Ihre Arbeiten befinden sich in der Fondazione Marianne Werefkin Ascona, in der Städtischen Galerie im Lenbachhaus München und im Museum Wiesbaden. Das Preisgeld des Marianne Werefkin-Preises in Höhe von 5.000 € wird von Kunstfreund.innen gestiftet, darunter Heidi Hetzer vom Berliner Opelhaus Hetzer, Ute Gräfin von Hardenberg, Bodo Brückner von der Firma Lieken-Urkorn, Wolfgang Dreyer und Klaus-Peter Gulich von der Versicherung Zurich-Gruppe und Gerhard Girner und Martin Steinkühler von der Deutschen Apotheker- und Ärztebank. Zweck des Preises laut Vereinssatzung ist: '... Maßnahmen der Öffentlichkeitsarbeit mit dem Ziel, die lange Tradition künstlerisch arbeitender Frauen und die Bedeutung ihres Werkes in Geschichte, Gegenwart und Zukunft im deutschen und internationalen Kulturkreis bekannt zu machen.' (§ 3, Vereinssatzung)." -- In 1990 the Marianne Werefkin Prize was launched and set out in the statutes. In doing so, the association followed its tradition of honoring the outstanding work of women artists. When it was founded, it was the first prize in Germany to be exclusively dedicated to women artists. The namesake is the famous avant-garde and expressionist Marianne von Werefkin (1860-1938). The artist was a private student of Ilya Repin. Until she became acquainted with Alexej Jawlensky, she painted excellent impressionistic and realistic pictures. When she moved to Munich, she put her art on hold for ten years in favor of her partner's support. She was instrumental in founding the 'New Artists' Association Munich' and the Blue Rider '. In 1906 she turned back to painting. She created a multitude of brilliant works in which she advanced expressionism. With Jawlensky, Gabriele Münter and Wassily Kandinsky, Marianne Werefkin revolutionized the art of the early 20th century. Her work can be found in the Fondazione Marianne Werefkin Ascona, in the Städtische Galerie im Lenbachhaus Munich and in the Museum Wiesbaden. The prize money of the Marianne Werefkin Prize of € 5,000 is donated by Kunstfreund.innen, including Heidi Hetzer from the Berlin Opelhaus Hetzer, Ute Countess von Hardenberg, Bodo Brückner from the Lieken-Urkorn company, Wolfgang Dreyer and Klaus-Peter Gulich from der Insurance Zurich Group and Gerhard Girner and Martin Steinkühler from the Deutsche Apotheker- und Ärztebank. According to the association's statutes, the purpose of the prize is: '... public relations measures with the aim of making the long tradition of women who work artistically and the importance of their work in the past, present and future known in German and international culture." (§ 3, association statutes)"
    Language: German
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  • 9
    UID:
    kobvindex_INT0002404
    Format: xxiii, 233 pages : , illustrations ; , 24 x 16.5 cm.
    Edition: 4th edition.
    ISBN: 9781442206694 (pbk.) , 1442206691 (pbk.) , 9781442206687 (hbk.) , 1442206683 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Now in its fourth edition, the popular Ads, Fads, and Consumer Culture is an engaging cultural studies critique of contemporary advertising and its impacts on American society. Arthur Asa Berger looks at marketing strategies, sex and advertising, consumer culture, political advertising, and communication theory and process to give an accessible overview of advertising in America. This new edition features up-to-date examples and new theoretical material, including expanded discussions of a number of topics, such as Weber's study of religion and its role in consumption, the role of the unconscious and emotion in shaping consumer behavior, the way brands shape the behavior of 'mall girls,' sexuality and advertising, and Maslow's theory of needs. The book also comes complete with updated ads and Berger's signature drawings. Whether they are new to Berger's lively style of teaching and writing or loyal adopters, advertising and media professors will want to check out the latest edition of this text."
    Language: English
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  • 10
    Book
    Book
    New York, USA ; : McGraw-Hill,
    UID:
    kobvindex_INT0002465
    Format: xvi, 267 pages : , richly illustrated ; , 23.5 cm.
    Edition: 4th edition, international edition.
    ISBN: 9780071086080 (pbk.) , 0071086080 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Seeing is Believing: An Introduction to Visual Communication uses semiotic theory, psychoanalytic theory and other theories to deal with various aspects of visual communication in an accessible, interesting and entertaining book. It has many new images that reflect the topics discussed in the book and a number of discussion of relevant topics such as postmodernism, tattoos, facial expression, neuromarketing, advertising and persuasion, cultural codes, typographic theory, photograph and landscape, photography and narcissism, digital photography and oil painting, dreams and a rewritten chapter on computers that deals with videogames and social media among other things. The author has also included a number of new drawings he made."
    Note: EDITORIAL NOTE: previous edition: ©2008.
    Language: English
    Keywords: Textbooks
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