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  • Kunsthochschule Berlin  (22)
  • 2015-2019  (22)
Type of Medium
Language
Region
Library
Years
Year
Subjects(RVK)
  • 1
    UID:
    b3kat_BV044701540
    Format: 102 Seiten
    ISBN: 9783956793516
    Series Statement: The contemporary condition 07
    Content: Drawing together discourses on contemporaneity and new materialisms, this book examines a material conception of temporality that makes it possible to develop a critique of the philosophical discourse on presence. Claiming that?there is no now,? Ebeling develops an archaeology of contemporaneity according to which the traces of the contemporary can only be secured through visual or material operations, not historical ones.
    Language: English
    Subjects: Philosophy
    RVK:
    Keywords: Zeitlichkeit ; Gegenwart ; Materialität
    Author information: Ebeling, Markus Knut 1970-
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  • 2
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV044212241
    Format: XV, 200 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    ISBN: 9781474265539 , 9781474265522
    Content: "There is a new form of design practice within the contemporary fashion industry which is active in complex forms of social commentary and critique. While fashion in the modernist era has shown signs of criticism and subversion, these were either in the form of subcultures or perversions, such as punk or BDSM styling. Today, however, these genres have been absorbed into the fashion industry itself, meaning that "critical fashion" is now far from limited to the subcultures from which it came. This book explores this new space for criticism within the popular fashion sphere to demonstrate how designers are disrupting conventions, challenging beliefs and stirring change from within the system itself. Critical Fashion Practice considers a range of contemporary designers across the globe, from the US to Japan, whose conceptual designs embody this critical language, including case studies such as Rei Kawakubo's deconstructive silhouettes for Comme des Garçons and Walter Van Beirendonck's sadomasochistic menswear collections, amongst other key players such as Miuccia Prada, Vivienne Westwood and Viktor & Rolf. Arguing that the rise of critical fashion coincides with a noticeable decline in the criticality of art, Geczy and Karaminas go beyond slotting fashion into previously established art theories. Conceiving a new cultural role for fashion that affords insight into identity, class, race, sexuality and gender, this book shows how fashion can not only reflect and comment on, but can also be a part of social change"...
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF Geczy, Adam Critical fashion practice New York : Bloomsbury Academic, 2017 ISBN 978-1-4742-6554-6
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB Geczy, Adam Critical fashion practice New York : Bloomsbury Academic, 2017 ISBN 978-1-4742-6555-3
    Language: English
    Keywords: Mode ; Modeschöpfer ; Subkultur ; Ästhetik
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  • 3
    UID:
    kobvindex_KHB0031375
    Format: [56] ungezählte Seiten : überwiegend Illustrationen, graphische Darstellungen ; 29,5 cm
    Content: Enth.: Mattis Obermann, Bela Kurek, Robin Müller, Ruben Gaona, Niklas Schumacher, Maximilian Blazek, Adrian Haase, Julian Goretzky, Hsin-Tung Chen, Liesa Maerevoet, Rahel Armbröster, Yi-Ruo Lin, Jan Robert von Raußendorf, Paulina Grebenstein, Tim J. Peters, Paul Piegsa, Laura Ruß, Nina Komarova-Zelinkasya, Janosch Reiter, Johannes Müller, Cepand Yegani
    Note: Text deutsch, teilweise in englischer Übersetzung
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  • 4
    UID:
    kobvindex_KHB0027312
    Format: 1 DVD ; 89 Min. : farbig ; Bildformat: 1,85:1 in 16:9 , 12 cm
    Content: Sprache: Deutsch
    Language: German
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  • 5
    UID:
    kobvindex_KHB0032544
    Format: 32, 30 Seiten : 2 Porträts , 22.5 cm x 15.5 cm
    ISBN: 978-3-96098-454-2 , 3960984537
    Content: Text deutsch und englisch
    Note: Diese Kriminalgeschichte wurde eigens geschrieben für die Ausstellung von Karin Sander im Kunst Museum Winterthur - Ausstellung: 8.9.-18.11.2018.
    Language: English
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  • 6
    UID:
    kobvindex_KHB0030210
    Format: 320 Seiten : überwiegend Illustrationen , 23 cm
    ISBN: 978-0-500-02246-7 , 0-500-02246-1
    Content: All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities. Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern United States, elaborate masquerades are staged that celebrate and keep alive the history and memory of African slaves and their creole or mixed-race descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters - ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations. Charles Freger's work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present
    Note: Text englisch
    Language: English
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  • 7
    UID:
    kobvindex_KHB0031212
    Format: 208 Seiten : Illustrationen, Diagramme
    ISBN: 978-1-60606-481-8 , 1-60606-481-9
    Content: Text englisch. A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar." What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, or color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics.0Engaging, incisive, and absolutely critical for any scholar or student interested in color science, 'Color Science and the Visual Arts' is sure to become a key reference for the entire field
    Note: Includes index
    Language: English
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  • 8
    Book
    Book
    Cambridge 〈Mass.〉 : MIT Press
    UID:
    kobvindex_KHB0031688
    Format: 239 Seiten
    ISBN: 978-0-262-52809-2 , 978-0-85488-237-3
    Series Statement: Documents of contemporary art
    Content: Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation
    Note: Text englisch. Includes bibliographical references and index
    Language: English
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  • 9
    UID:
    kobvindex_KHB0029455
    Format: 28 Seiten : überwiegend Illustrationen ; 27, 5 cm
    ISBN: 978-3-7757-4348-8 , 3775743480
    Content: There are few parts of the world that Christian Maillard (*1944) has not yet seen. His journeys throughout Europe, the United States, South America, the Far East, and Africa have influenced his photographic gaze: for him, travelling and taking photographs have been inseparably connected since childhood. Unadorned and straightforward, his analog black-and-white photographs present reality as he encounters it. Whether people, landscapes, or street scenes, his gaze is always direct, personal, engaging, and makes reference to photographer greats such as Henri Cartier-Bresson or AndrÂe KertÂesz. The first monograph by the French photographer includes pictures taken all over the world between 1996 and 2016. An introduction by the FAZ journalist and photo specialist Freddy Langer provides a more specific classification of Maillard's oeuvre
    Note: Text englisch und französisch
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  • 10
    UID:
    kobvindex_KHB0027845
    Format: XVII, 171 Seiten
    ISBN: 978-1-62326-105-4 , 1-62326-105-8
    Content: Text in engl. Queer Threads: Crafting Identity and Community showcases twenty-nine artists who are moving through the narrow space that is gay or straight, biological or social, craft and fine art and doing so explicitly through their work in fiber and textile. Loaded with gender connotations and power hierarchies, fiber-based handicrafts such as crochet, embroidery, knitting, macrame, quilting, and sewing provide a fitting platform for examining tastes, roles, and relationships socialized within and around gay and lesbian culture, as well as our reactions to the traditional home and cultures in which we were raised. This book evolves from an exhibition of the same name, that John Chaich curated in 2014 at the Leslie-Lohman Museum of Gay & Lesbian Art in New York City, the first dedicated LGBTQ art museum in the world with a mission to exhibit and preserve LGBTQ art and foster the artists who create it. While other recent, high-profile fiber and textile exhibitions have featured several of the artists in Queer Threads, the Leslie-Lohman exhibition marked the first time these works were shown together to specifically examine the works queerness. To further examine how queerness informs each featured artist's work in fiber and textiles, or vice versa, this book features interviewers from the worlds of music, fashion, media, dance, museums, and scholarship who are makers and thinkers themselves, many members of the queer community if not powerful allies. The resulting dialogues are as fun, challenging, personal, and universal as the ideas in the works discussed
    Note: Based on an exhibition held in 2014 at the Leslie/Lohman Museum of Gay and Lesbian Art in New York City. - Includes bibliographical references
    Language: English
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